A Women Of No Importance
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Sayfa 23 - Türkiye İş BankasıKitabı okudu
We women adore failures. They lean on us.
According to the popular concept, Coquettes are consummate teases, experts at arousing desire through a provocative appearance or an alluring attitude. But the real essence of Coquettes is in fact their ability to trap people emotionally, and to keep their victims in their clutches long after that first titillation of desire. This is the skill
Sayfa 74Kitabı okudu
"Algernon: All women become like their mother. That is their tragedy. No man does. That is his.
Jack: Is that clever?
Algernon: It is perfectly phrased! and quite as true as any observation in civilised life should be.
Jack: I am sick to death of cleverness. Everybody is clever nowadays. You cannot go anywhere without meeting clever people. The thing has become an absolute public nuisance. I wish to goodness we had a few fools left.
Algernon: We have.
Jack: I should extremely like to meet them. What do they talk about?
Algernon: The fools? Oh! About the clever people, of course.
Jack: What fools!"
Sayfa 20Kitabı okudu
“If a man and woman have sinned, let them both go forth into the desert to love or loathe each other there. Let them both be branded. Set a mark, if you wish, on each, but don’t punish the one and let the other go free. Don’t have one law for men and another for women.”
e-kitapKitabı okudu
Towards the end of the eighteenth century a change came about which, if I were rewriting history, I should describe more fully and think of greater importance than the Crusades or the Wars of the Roses.
The middle-class woman began to write. For if PRIDE AND PREJUDICE matters, and MIDDLEMARCH and VILLETTE and WUTHERING HEIGHTS matter, then it matters far more than I can prove in an hour's discourse that women generally, and not merely the lonely aristocrat shut up in her country house among her folios and her flatterers, took to writing. Without those forerunners, Jane Austen and the Brontës and George Eliot could no more have written than Shakespeare could have written without Marlowe, or Marlowe without Chaucer, or Chaucer without those forgotten poets who paved the ways and tamed the natural savagery of the tongue. For master- pieces are not single and solitary births; they are the outcome of many years of thinking in common, of thinking by the body of the people, so that the experience of the mass is behind the single voice.
Sayfa 63Kitabı okuyor
