Eda Kevser ŞAHİN

If I hadn’t known her so well, I would have read her books. But as I did know her, I was afraid to open them. What if I found myself described in them in a way that I couldn’t fathom? Or my favourite places, which for her are something completely different from what they are to me? In a way, people like her, those who wield a pen, can be dangerous. At once a suspicion of fakery springs to mind – that such a Person is not him or herself, but an eye that’s constantly watching, and whenever it sees it changes into sentences; in the process it strips reality of its most essential quality – its inexpressibility.
Reklam
That’s why I try my best never to use the first names and surnames but prefer epithets that come to mind of their own accord the first time I see a Person. I’m sure this is the right way to use language, rather than tossing about words stripped of all meaning.
304 syf.
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Sür Pulluğunu Ölülerin Kemikleri Üzerinde
Sür Pulluğunu Ölülerin Kemikleri ÜzerindeOlga Tokarczuk
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