What do we do when things go wrong?
Years ago, when I first spotted this book in a stationery shop, I decided to buy it without even flipping through its pages. On the cover, three men were being carried by the river's current toward an unknown destination. The title revealed little more than the image itself: Three Men in a Boat. Where they were going and why remained hidden between the pages.
For some reason, I never got around to reading it. The book sat forgotten on a shelf for years, quietly waiting for me. Then one day I picked it up and finally began. Soon, I discovered why these three men had embarked on such a sudden and peculiar boating trip. Tired of their daily routines and convinced that they were suffering from all sorts of illnesses, they believe an adventure will do them good. Instead, the following two weeks prove far more challenging than expected. They can never quite agree on what should be done or how it should be done. They blame one another, make a mess of simple tasks, and seem incapable of catching a break. Jerome narrates all of this with an exaggerated sense of humor and remarkable wit.
In the end, the three companions more or less accomplish what they set out to do. By the time they return to dry land, they are rather proud of themselves. But perhaps this book was written not only to amuse, but also to make us reflect. As we accompany these three friends like an invisible fourth passenger, we spend much of the journey wanting to step in and sort things out for them.
And yet, when things go wrong in our own lives, what exactly do we do?
Sanırım hayatımda bu kadar detaylı yazılmış bir İngilizce kitap okuduğumu söyleyemem. Bir noktadan sonra bu kitabın iyi çevrilmiş bir Türkçe versiyonunu okumayı gerçekten çok isterdim, ama sanırım
I honestly don’t even know where to start. I wanted to read this book because the title and the concept caught my attention, but I can say it wasn’t exactly what I imagined. Did I like it? Did I
The title already tells you what this book is about, and it delivers exactly that. It’s a simple, easy-to-read book written in a warm, conversational tone, almost like listening to an elderly Swedish woman sharing her life experiences. I liked how practical it was, she gives suggestions for different types of items like photos, kitchen things, and personal belongings. Overall, it’s simple, thoughtful, and enjoyable.
I was initially drawn to this novel by the evocative nature of its title and the specific spectrum of color it represents. In Korean, the word 'parang' (파랑) possesses a unique depth; it encompasses not only the vastness of the blue sky but also the verdant freshness of greenery. This linguistic nuance creates a perfect bridge between the robotic precision of Coli and the natural world.
Reading this story felt like a persistent state of déjà vu. I found myself deeply resonating with the metaphor of the horse, Today, who is trapped in a world where the only audible command is to go "faster." Through the shifting perspectives of Yeonjae, Coli, and Today, I felt the suffocating pressure of a society that prioritizes speed and efficiency over the quiet rhythm of life.
While categorized as Sci-Fi, the book avoids the trap of an overly complex plot. Instead, the author uses futuristic details as a vessel for a much more grounded, emotional message. It is a story about empathy, the bond between species, and the courage to stop running. As the narrative comes full circle, ending exactly where it began, it left me with a sense of bittersweet peace—a reminder that sometimes, the most revolutionary act is simply to slow down.
I had already read the classical play Electra by Sophocles, but as many readers know, the ancient drama is quite brief and focused on a single climax. I felt a need to see this tragic myth fleshed out with more detail and emotional depth. Jennifer Saint’s novel provided exactly that by offering a multi-layered narrative told through three distinct female perspectives: Clytemnestra, Cassandra, and Electra.
While the book felt a bit long at times, the shifting POVs (Points of View) added a necessary richness to the story. I wouldn't say I had a favorite character—each woman is flawed and driven by her own "inscrutable" grief—but exploring the different aspects of their trauma was a rewarding experience.
In the original play, the focus is often on the vengeance, but here, the focus is on the price of being a woman in a world ruled by men and gods. For someone who loves Classical Antiquity, seeing these silent figures finally speak their truth made the long read worthwhile.
