• The Eighteen Types (of Seducer's Victims)

    1) The Reformed Rake or Siren:

    People of this type were once happy-go lucky seducers who had their way with the opposite sex. But the day came when they were forced to give this up—someone corraled them into a relationship, they were encountering too much social hostility, they were getting older and decided to settle down. Whatever the reason, you can be sure they feel some resentment and a sense of loss, as if a limb were missing. We are always trying to recapture pleasures we experienced in the past, but the temptation is particularly great for the Reformed Rake or Siren because the pleasures they found in seduction were intense. These types are ripe for the picking: all that is required is that you cross their path and offer them the opportunity to resume their rakish or siren ways. Their blood will stir and the call of their youth will overwhelm them.

    It is critical, though, to give these types the illusion that they are the ones doing the seducing. (...) With the Reformed Siren, you want to give her the impression that she still has the irresistible power to draw a man in and make him give up everything for her. Remember that what you are offering these types is not another relationship, another constriction, but rather the chance to escape the corral and have some ran. Do not be put off if they are in a relationship; a preexisting commitment is often the perfect foil. If hooking them into a relationship is what you want, hide it as best you can and realize it may not be possible. The Rake or Siren is unfaithful by nature; your ability to spark the old feeling gives you power, but then you will have to live with the consequences of their feckless ways.

    2) The Disappointed Dreamer:

    As children, these types probably spent a lot of time alone. To entertain themselves they developed a powerful fantasy life, fed by books and films and other kinds of popular culture. And as they get older, it becomes increasingly difficult to reconcile their fantasy life with reality, and so they are often disappointed by what they get. This is particularly true in relationships. They have been dreaming of romantic heroes, of danger and excitement, but what they have is lovers with human frailties, the petty weaknesses of everyday life. As the years pass, they may force themselves to compromise, because otherwise they would have to spend their lives alone; but beneath the surface they are bitter and still hungering for something grand and romantic.

    You can recognize this type by the books they read and films they go to, the way their ears prick up when told of the real-life adventures some people manage to live out. In their clothes and home furnishings, a taste for exuberant romance or drama will peek through. They are often trapped in drab relationships, and little comments here and there will reveal their disappointment and inner tension.

    These types make for excellent and satisfying victims. First, they usually have a great deal of pent-up passion and energy, which you can release and focus on yourself. They also have great imaginations and will respond to anything vaguely mysterious or romantic that you offer them. All you need do is disguise some of your less than exalted qualities and give them a part of their dream. This could be the chance to live out their adventures or be courted by a chivalrous soul. If you give them a part of what they want they will imagine the rest. At all cost, do not let reality break the illusion you are creating. One moment of pettiness and they will be gone, more bitterly disappointed than ever.

    3) The Pampered Royal:

    These people were the classic spoiled children. All of their wants and desires were met by an adoring parent—endless entertainments, a parade of toys, whatever kept them happy for a day or two. Where many children learn to entertain themselves, inventing games and finding friends, Pampered Royals are taught that others will do the entertaining for them. Being spoiled, they get lazy, and as they get older and the parent is no longer there to pamper them, they tend to feel quite bored and restless. Their solution is to find pleasure in variety, to move quickly from person to person, job to job, or place to place before boredom sets in. They do not settle into relationships well because habit and routine of some kind are inevitable in such affairs. But their ceaseless search for variety is tiring for them and comes with a price: work problems, strings of unsatisfying romances, friends scattered across the globe. Do not mistake their restlessness and infidelity for reality—what the Pampered Prince or Princess is really looking for is one person, that parental figure, who will give them the spoiling they crave.

    To seduce this type, be ready to provide a lot of distraction new places to visit, novel experiences, color, spectacle. You will have to maintain an air of mystery, continually surprising your target with a new side to your character. Variety is the key. Once Pampered Royals are hooked, things get easier for they will quickly grow dependent on you and you can put out less effort. Unless their childhood pampering has made them too difficult and lazy, these types make excellent victims——they will be as loyal to you as they once were to mommy or daddy. But you will have to do much of the work. If you are after a long relationship, disguise it. Offer long-term security to a Pampered Royal and you will induce a panicked flight. Recognize these types by the turmoil in their past—job changes, travel, short-term relationships—and by the air of aristocracy, no matter their social class, that comes from once being treated like royalty.

    4) The New Prude:

    (...) The New Prude is excessively concerned with standards of goodness, fairness, political sensitivity, tastefulness, etc. What marks the New Prude, though, as well as the old one, is that deep down they are actually excited and intrigued by guilty, transgressive pleasures. Frightened by this attraction, they run in the opposite direction and become the most correct of all. They tend to wear drab colors; they certainly never take fashion risks. They can be very judgmental and critical of people who do take risks and are less correct. They are also addicted to routine, which gives them a way to tamp down their inner turmoil.

    New Prudes are secretly oppressed by their correctness and long to transgress. Just as sexual prudes make prime targets for a Rake or Siren, the New Prude will often be most tempted by someone with a dangerous or naughty side. If you desire a New Prude, do not be taken in by their judgments of you or their criticisms. That is only a sign of how deeply you fascinate them; you are on their mind. You can often draw a New Prude into a seduction, in fact, by giving them the chance to criticize you or even try to reform you. Take nothing of what they say to heart, of course, but now you have the perfect excuse to spend time with them—and New Prudes can be seduced simply through being in contact with you. These types actually make excellent and rewarding victims. Once you open them up and get them to let go of their correctness, they are flooded with feelings and energies. They may even overwhelm you. Perhaps they are in a relationship with someone as drab as they themselves seem to be—do not be put off. They are simply asleep, waiting to be awakened.

    5) The Crushed Star:

    We all want attention, we all want to shine, but with most of us these desires are fleeting and easily quieted. The problem with Crushed Stars is that at one point in their lives they did find themselves the center of attention—perhaps they were beautiful, charming and effervescent, perhaps they were athletes, or had some other talent—but those days are gone. They may seem to have accepted this, but the memory of having once shone is hard to get over. In general, the appearance of wanting attention, of trying to stand out, is not seen too kindly in polite society or in the workplace. So to get along, Crushed Stars learn to tamp down their desires; but failing to get the attention they feel they deserve, they also become resentful. You can recognize Crushed Stars by certain unguarded moments: they suddenly receive some attention in a social setting, and it makes them glow; they mention their glory days, and there is a little glint in the eye; a little wine in the system, and they become effervescent.

    Seducing this type is simple: just make them the center of attention. When you are with them, act as if they were stars and you were basking in their glow. Get them to talk, particularly about themselves. In social situations, mute your own colors and let them look funny and radiant by comparison. In general, play the Charmer. The reward of seducing Crushed Stars is that you stir up powerful emotions. They will feel intensely grateful to you for letting them shine. To whatever extent they had felt crushed and bottled up, the easing of that pain releases intensity and passion, all directed at you. They will fall madly in love. If you yourself have any star or dandy tendencies it is wise to avoid such victims. Sooner or later those tendencies will come out, and the competition between you will be ugly.

    6) The Novice:

    What separates Novices from ordinary innocent young people is that they are fatally curious. They have little or no experience of the world, but have been exposed to it secondhand—in newspapers, films, books. Finding their innocence a burden, they long to be initiated into the ways of the world. Everyone sees them as so sweet and innocent, but they know this isn't so—they cannot be as angelic as people think them.

    Seducing a Novice is easy. To do it well, however, requires a bit of art. Novices are interested in people with experience, particularly people with a touch of corruption and evil. Make that touch too strong, though, and it will intimidate and frighten them. What works best with a Novice is a mix of qualities. You are somewhat childlike yourself, with a playful spirit. At the same time, it is clear that you have hidden depths, even sinister ones. (...) You are initiating your Novices not just sexually but experientially, exposing them to new ideas, taking them to new places, new worlds both literal and metaphoric. Do not make your seduction ugly or seedy— everything must be romantic, even including the evil and dark side of life. Young people have their ideals; it is best to initiate them with an aesthetic touch. Seductive language works wonders on Novices, as does attention to detail. Spectacles and colorful events appeal to their sensitive senses. They are easily misled by these tactics, because they lack the experience to see through them.

    Sometimes Novices are a little older and have been at least somewhat educated in the ways of the world. Yet they put on a show of innocence, for they see the power it has over older people. These are coy Novices, aware of the game they are playing—but Novices they remain. They may be less easily misled than purer Novices, but the way to seduce them is pretty much the same—mix innocence and corruption and you will fascinate them.

    7) The Conqueror:

    These types have an unusual amount of energy, which they find difficult to control. They are always on the prowl for people to conquer, obstacles to surmount. You will not always recognize Conquerors by their exterior—they can seem a little shy in social situations and can have a degree of reserve. Look not at their words or appearance but at their actions, in work and in relationships. They love power, and by hook or by crook they get it.

    Conquerors tend to be emotional, but their emotion only comes out in outbursts, when pushed. In matters of romance, the worst thing you can do with them is lie down and make yourself easy prey; they may take advantage of your weakness, but they will quickly discard you and leave you the worse for wear. You want to give Conquerors a chance to be aggressive, to overcome some resistance or obstacle, before letting them think they have overwhelmed you. You want to give them a good chase. Being a little difficult or moody, using coquetry, will often do the trick. Do not be intimidated by their aggressiveness and energy—that is precisely what you can turn to your advantage. To break them in, keep them charging back and forth like a bull. Eventually they will grow weak and dependent, as Napoleon became the slave of Josephine.

    The Conqueror is generally male but there are plenty of female Conquerors out there—Lou Andreas-Salomé and Natalie Barney are famous ones. Female Conquerors will succumb to coquetry, though, just as the male ones will.

    8) The Exotic Fetishist:

    Most of us are excited and intrigued by the exotic. What separates Exotic Fetishists from the rest of us is the degree of this interest, which seems to govern all their choices in life. In truth they feel empty inside and have a strong dose of self loathing. They do not like wherever it is they come from, their social class (usually middle or upper), and their culture because they do not like themselves.

    These types are easy to recognize. They like to travel; their houses are filled with objects from faraway places; they fetishize the music or art of this or that foreign culture. They often have a strong rebellious streak. Clearly the way to seduce them is to position yourself as exotic—if you do not at least appear to come from a different background or race, or to have some alien aura, you should not even bother. But it is always possible to play up what makes you exotic, to make it a kind of theater for their amusement. Your clothes, the things you talk about, the places you take them, make a show of your difference. Exaggerate a little and they will imagine the rest, because such types tend to be self-deluders. Exotic Fetishists, however, do not make particularly good victims. Whatever exoticism you have will soon seem banal to them, and they will want something else. It will be a struggle to hold their interest. Their underlying insecurity will also keep you on edge.

    One variation on this type is the man or woman who is trapped in a stultifying relationship, a banal occupation, a dead-end town. It is circumstance, as opposed to personal neurosis, that makes such people fetishize the exotic; and these Exotic Fetishists are better victims than the self-loathing kind, because you can offer them a temporary escape from whatever oppresses them. Nothing, however, will offer true Exotic Fetishists escape from themselves.

    9) The Drama Queen:

    There are people who cannot do without some constant drama in their lives—it is their way of deflecting boredom. The greatest mistake you can make in seducing these Drama Queens is to come offering stability and security. That will only make them run for the hills. Most often, Drama Queens (and there are plenty of men in this category) enjoy playing the victim. They want something to complain about, they want pain. Pain is a source of pleasure for them. With this type, you have to be willing and able to give them the mental rough treatment they desire. That is the only way to seduce them in a deep manner. The moment you turn too nice, they will find some reason to quarrel or get rid of you.

    You will recognize Drama Queens by the number of people who have hurt them, the tragedies and traumas that have befallen them. At the extreme, they can be hopelessly selfish and anti-seductive, but most of them are relatively harmless and will make fine victims if you can live with the sturm und drang. If for some reason you want something long term with this type, you will constantly have to inject drama into your relationship. For some this can be an exciting challenge and a source for constantly renewing the relationship. Generally, however, you should see an involvement with a Drama Queen as something fleeting and a way to bring a little drama into your own life.

    10) The Professor:

    These types cannot get out of the trap of analyzing and criticizing everything that crosses their path. Their minds are overdeveloped and overstimulated. Even when they talk about love or sex, it is with great thought and analysis. Having developed their minds at the expense of their bodies, many of them feel physically inferior and compensate by lording their mental superiority over others. Their conversation is often wry or ironic—you never quite know what they are saying, but you sense them looking down on you. They would like to escape their mental prisons, they would like pure physicality, without any analysis, but they cannot get there on their own. Professor types sometimes engage in relationships with other professor types, or with people they can treat as inferiors. But deep down they long to be overwhelmed by someone with physical presence—a Rake or a Siren, for instance.

    Professors can make excellent victims, for underneath their intellectual strength lie gnawing insecurities. Make them feel like Don Juans or Sirens, to even the slightest degree, and they are your slaves. Many of them have a masochistic streak that will come out once you stir their dormant senses. You are offering an escape from the mind, so make it as complete as possible: if you have intellectual tendencies yourself, hide them. They will only stir your target's competitive juices and get their minds turning. Let your Professors keep their sense of mental superiority; let them judge you. You will know what they will try to hide: that you are the one in control, for you are giving them what no one else can give them—physical stimulation.

    11) The Beauty:

    From early on in life, the Beauty is gazed at by others. Their desire to look at her is the source of her power, but also the source of much unhappiness: she constantly worries that her powers are waning, that she is no longer attracting attention. If she is honest with herself, she also senses that being worshiped only for one's appearance is monotonous and unsatisfying—and lonely. Many men are intimidated by beauty and prefer to worship it from afar; others are drawn in, but not for the purpose of conversation. The Beauty suffers from isolation.

    Because she has so many lacks, the Beauty is relatively easy to seduce, and if done right, you will have won not only a much prized catch but someone who will grow dependent on what you provide. Most important in this seduction is to validate those parts of the Beauty that no one else appreciates—her intelligence (generally higher than people imagine), her skills, her character. Of course you must worship her body—you cannot stir up any insecurities in the one area in which she knows her strength, and the strength on which she most depends—but you also must worship her mind and soul. Intellectual stimulation will work well on the Beauty, distracting her from her doubts and insecurities, and making it seem that you value that side of her personality.

    Because the Beauty is always being looked at, she tends to be passive. Beneath her passivity, though, there often lies frustration: the Beauty would love to be more active and to actually do some chasing of her own. A little coquettishness can work well here: at some point in all your worshiping, you might go a little cold, inviting her to come after you. Train her to be more active and you will have an excellent victim. The only downside is that her many insecurities require constant attention and care.

    12) The Aging Baby:

    Some people refuse to grow up. Perhaps they are afraid of death or of growing old; perhaps they are passionately attached to the life they led as children. Disliking responsibility, they struggle to turn everything into play and recreation. In their twenties they can be charming, in their thirties interesting, but by the time they reach their forties they are beginning to wear thin.

    Contrary to what you might imagine, one Aging Baby does not want to be involved with another Aging Baby, even though the combination might seem to increase the chances for play and frivolity. The Aging Baby does not want competition, but an adult figure. If you desire to seduce this type, you must be prepared to be the responsible, staid one. That may be a strange way of seducing, but in this case it works. You should appear to like the Aging Baby's youthful spirit (it helps if you actually do), can engage with it, but you remain the indulgent adult. By being responsible you free the Baby to play. Act the loving adult to the hilt, never judging or criticizing their behavior, and a strong attachment will form. Aging Babies can be amusing for a while, but, like all children, they are often potently narcissistic. This limits the pleasure you can have with them. You should see them as short term amusements or temporary outlets for your frustrated parental instincts.

    13) The Rescuer:

    We are often drawn to people who seem vulnerable or weak their sadness or depression can actually be quite seductive. There are people, however, who take this much further, who seem to be attracted only to people with problems. This may seem noble, but Rescuers usually have complicated motives: they often have sensitive natures and truly want to help. At the same time, solving people's problems gives them a kind of power they relish—it makes them feel superior and in control. It is also the perfect way to distract them from their own problems. You will recognize these types by their empathy—they listen well and try to get you to open up and talk. You will also notice they have histories of relationships with dependent and troubled people.

    Rescuers can make excellent victims, particularly if you enjoy chivalrous or maternal attention. If you are a woman, play the damsel in distress, giving a man the chance so many men long for—to act the knight. If you are a man, play the boy who cannot deal with this harsh world; a female Rescuer will envelop you in maternal attention, gaining for herself the added satisfaction of feeling more powerful and in control than a man. An air of sadness will draw either gender in. Exaggerate your weaknesses, but not through overt words or gestures—let them sense that you have had too little love, that you have had a string of bad relationships, that you have gotten a raw deal in life. Having lured your Rescuer in with the chance to help you, you can then stoke the relationship's fires with a steady supply of needs and vulnerabilities. You can also invite moral rescue: you are bad. You have done bad things. You need a stern yet loving hand. In this case the Rescuer gets to feel morally superior, but also the vicarious thrill of involvement with someone naughty.

    14) The Roué:

    These types have lived the good life and experienced many pleasures. They probably have, or once had, a good deal of money to finance their hedonistic lives. On the outside they tend to seem cynical and jaded, but their worldliness often hides a sentimentality that they have struggled to repress. Roués are consummate seducers, but there is one type that can easily seduce them—the young and the innocent. As they get older, they hanker after their lost youth; missing their long-lost innocence, they begin to covet it in others.

    If you should want to seduce them, you will probably have to be somewhat young and to have retained at least the appearance of innocence. It is easy to play this up—make a show of how little experience you have in the world, how you still see things as a child. It is also good to seem to resist their advances: Roués will think it lively and exciting to chase you. You can even seem to dislike or distrust them—that will really spur them on. By being the one who resists, you control the dynamic. And since you have the youth that they are missing, you can maintain the upper hand and make them fall deeply in love. They will often be susceptible to such a fall, because they have tamped down their own romantic tendencies for so long that when it bursts forth, they lose control. Never give in too early, and never let your guard down—such types can be dangerous.

    15) The Idol Worshiper:

    Everyone feels an inner lack, but Idol Worshipers have a bigger emptiness than most people. They cannot be satisfied with themselves, so they search the world for something to worship, something to fill their inner void. This often assumes the form of a great interest in spiritual matters or in some worthwhile cause; by focusing on something supposedly elevated, they distract themselves from their own void, from what they dislike about themselves. Idol Worshipers are easy to spot—they are the ones pouring their energies into some cause or religion. They often move around over the years, leaving one cult for another.

    The way to seduce these types is to simply become their object of worship, to take the place of the cause or religion to which they are so dedicated. At first you may have to seem to share their spiritual interest, joining them in their worship, or perhaps exposing them to a new cause; eventually you will displace it. With this type you have to hide your flaws, or at least to give them a saintly sheen. Be banal and Idol Worshipers will pass you by. But mirror the qualities they aspire to have for themselves and they will slowly transfer their adoration to you. Keep everything on an elevated plane—let romance and religion flow into one.

    Keep two things in mind when seducing this type. First, they tend to have overactive minds, which can make them quite suspicious. Because they often lack physical stimulation, and because physical stimulation will distract them, give them some: a mountain trek, a boat trip, or sex will do the trick. But this takes a lot of work, for their minds are always ticking. Second, they often suffer from low self-esteem. Do not try to raise it; they will see through you, and your efforts at praising them will clash with their own self-image. They are to worship you; you are not to worship them. Idol Worshipers make perfectly adequate victims in the short term, but their endless need to search will eventually lead them to look for something new to adore.

    16) The Sensualist:

    What marks these types is not their love of pleasure but their overactive senses. Sometimes they show this quality in their appearance—their interest in fashion, color, style. But sometimes it is more subtle: because they are so sensitive, they are often quite shy, and they will shrink from standing out or being flamboyant. You will recognize them by how responsive they are to their environment, how they cannot stand a room without sunlight, are depressed by certain colors, or excited by certain smells. They happen to live in a culture that deemphasizes sensual experience (except perhaps for the sense of sight). And so what the Sensualist lacks is precisely enough sensual experiences to appreciate and relish.

    The key to seducing them is to aim for their senses, to take them to beautiful places, pay attention to detail, envelop them in spectacle, and of course use plenty of physical lures. Sensualists, like animals, can be baited with colors and smells. Appeal to as many senses as possible, keeping your targets distracted and weak. Seductions of Sensualists are often easy and quick, and you can use the same tactics again and again to keep them interested, although it is wise to vary your sensual appeals somewhat, in kind if not in quality. (...) These types make superb victims because they are relatively docile if you give them what they want.

    17) The Lonely Leader:

    Powerful people are not necessarily different from everyone else, but they are treated differently, and this has a big effect on their personalities. Everyone around them tends to be fawning and courtierlike, to have an angle, to want something from them. This makes them suspicious and distrustful, and a little hard around the edges, but do not mistake the appearance for the reality: Lonely Leaders long to be seduced, to have someone break through their isolation and overwhelm them. The problem is that most people are too intimidated to try, or use the kind of tactics—flattery, charm—that they see through and despise. To seduce such types, it is better to act like their equal or even their superior— the kind of treatment they never get. If you are blunt with them you will seem genuine, and they will be touched—you care enough to be honest, even perhaps at some risk. (Being blunt with the powerful can be dangerous.) Lonely Leaders can be made emotional by inflicting some pain, followed by tenderness.

    This is one of the hardest types to seduce, not only because they are suspicious but because their minds are burdened with cares and responsibilities. They have less mental space for a seduction. You will have to be patient and clever, slowly filling their minds with thoughts of you. Succeed, though, and you can gain great power in turn, for in their loneliness they will come to depend on you.

    18) The Floating Gender:

    All of us have a mix of the masculine and the feminine in our characters, but most of us learn to develop and exhibit the socially acceptable side while repressing the other. People of the Floating Gender type feel that the separation of the sexes into such distinct genders is a burden. They are sometimes thought to be repressed or latent homosexuals, but this is a misunderstanding: they may well be heterosexual but their masculine and feminine sides are in flux, and because this may discomfit others if they show it, they learn to repress it, perhaps by going to one extreme. They would actually love to be able to play with their gender, to give full expression to both sides. Many people fall into this type without its being obvious: a woman may have a masculine energy, a man a developed aesthetic side. Do not look for obvious signs, because these types often go underground, keeping it under wraps. This makes them vulnerable to a powerful seduction.

    What Floating Gender types are really looking for is another person of uncertain gender, their counterpart from the opposite sex. Show them that in your presence and they can relax, express the repressed side of their character. If you have such proclivities, this is the one instance where it would be best to seduce the same type of the opposite sex. Each person will stir up repressed desires in the other and will suddenly have license to explore all kinds of gender combinations, without fear of judgment. If you are not of the Floating Gender, leave this type alone. You will only inhibit them and create more discomfort.
  • First things first

    I'mma say all the words inside my head

    I'm fired up and tired of the way that things have been, oh ooh

    The way that things have been, oh ooh


    Second things second

    Don't you tell me what you think that I could be

    I'm the one at the sail, I'm the master of my sea, oh ooh

    The master of my sea, oh ooh


    I was broken from a young age

    Taking my sulking to the masses

    Writing my poems for the few

    That look at me, took to me, shook to me, feeling me

    Singing from heartache from the pain

    Taking my message from the veins

    Speaking my lesson from the brain

    Seeing the beauty through the...



    You made me a, you made me a believer, believer


    You break me down, you build me up, believer, believer


    Let the bullets fly, oh let them rain

    My life, my love, my drive, it came from...


    You made me a, you made me a believer, believer


    Third things third

    Send a prayer to the ones up above

    All the hate that you've heard has turned your spirit to a dove, oh ooh

    Your spirit up above, oh ooh


    I was choking in the crowd

    Building my rain up in the cloud

    Falling like ashes to the ground

    Hoping my feelings, they would drown

    But they never did, ever lived, ebbing and flowing

    Inhibited, limited

    Till it broke open and rained down

    And rained down, like...



    You made me a, you made me a believer, believer


    You break me down, you build me up, believer, believer


    Let the bullets fly, oh let them rain

    My life, my love, my drive, it came from...


    You made me a, you made me a believer, believer


    Last things last

    By the grace of the fire and the flames

    You're the face of the future, the blood in my veins, oh ooh

    The blood in my veins, oh ooh

    But they never did, ever lived, ebbing and flowing

    Inhibited, limited

    Till it broke open and rained down

    And rained down, like...



    You made me a, you made me a believer, believer


    You break me down, you build me up, believer, believer


    Let the bullets fly, oh let them rain

    My life, my love, my drive, it came from...


    You made me a, you made me a believer, believer
  • Gender Projection—Types

    Although there are infinite variations, below you will find six of the more common types of gender projections. (...)

    1- The Devilish Romantic: For the woman in this scenario, the man who fascinates her—often older and successful—might seem like a rake, the type who cannot help but chase after young women. But he is also romantic. When he’s in love, he showers the woman with attention. She decides she will seduce him and become the target of his attention. She will play to his fantasies. How can he not want to settle down with her and reform himself? She will bask in his love. But somehow he is not as strong, masculine, or romantic as she had imagined. He is a bit self-absorbed. She does not get the desired attention, or it does not last very long. He cannot be reformed, and leaves her.

    This is often the projection of women who had rather intense, even flirtatious relationships with the father. Such fathers often find their wives boring, and the young daughter more charming and playful. They turn to the daughter for inspiration; the daughter becomes addicted to their attention and adept at playing the kind of girl that daddy wants. It gives her a sense of power. It becomes her lifelong goal to recapture this attention and the power that goes with it. Any association with the father figure will spark the projecting mechanism, and she will invent or exaggerate the man’s romantic nature. (...)

    Women in this scenario have become trapped by the early attention paid to them by the father. They have to be continually charming, inspiring, and flirtatious to elicit that attention later on. Their animus is seductive, but with an aggressive, masculine edge, having absorbed so much of the father’s energy. But they are in a continual search for a man who does not exist. If the man were completely attentive and tirelessly romantic, they would grow bored with him. He would be seen as too weak. They are secretly drawn to the devilish side of their fantasy man and to the narcissism that comes with it. Women trapped in this projection will grow resentful over the years about how much
    energy they have to expend playing to men’s fantasies and how little they get in return.

    2- The Elusive Woman of Perfection: He thinks he has found the ideal woman. She will give him what he’s been missing in his prior relationships, whether that’s some wildness, some comfort and compassion, or a creative spark. Although he has had few actual encounters with the woman in question, he can imagine all kinds of positive experiences with her. The more he thinks of her, the more he’s certain he cannot live without her. When he talks of this perfect woman, you will notice there’s not a lot of concrete detail about what makes her so perfect. If he does manage to forge a relationship, he will quickly become disenchanted. She’s not who he thought she was; she
    misled him. He then moves on to the next woman to project his fantasy onto.

    This is a common form of male projection. It contains all of the elements he thinks he never got from his mother, never got from the other women in his life. This ideal mate will haunt his dreams. She will not appear to him in the form of someone he knows; she is a woman fashioned in his imagination—often young, elusive, but promising something great. In real life, certain types of women will tend to trigger this projection. She is usually quite hard to pin down and conforms to what Freud called the narcissistic woman—self-contained, not really needing a man or anybody to complete her. She can be a bit cold at the core and a blank screen upon which men can project whatever they want. Alternatively, she can seem to be a free spirit, full of creative energy but without a clear sense of her own identity. For men she serves as a muse, a great spark to their imagination, a lure to loosen up their own rigid mind.

    The men prone to this projection often had mothers who were not totally there for them. Perhaps such a mother expected the son to give her the attention and validation she was not getting from her husband. Because of this reversal, when the boy becomes a man, he feels a great emptiness inside that he constantly needs to fill. He cannot exactly verbalize what he wants or what he missed, hence the vagueness of his fantasy. He will spend his life searching for this elusive figure and never settle on a flesh-and-blood female. It’s always the next one who will be perfect. If he falls for the narcissistic type, he will repeat the problem he experienced with his mother, falling for a woman who cannot give him what he wants. His own anima is a bit dreamy, introspective, and moody, which is the behavior he will tend to exhibit when in love.

    Men of this type must recognize the nature of their pattern. What they really need is to find and interact with a real woman, accept her inevitable flaws, and give more of themselves. They often prefer to chase their fantasy, because in such a scenario they are in control and have the freedom to leave when reality sets in. To break the pattern, such men will have to give up some of this control. When it comes to their need for a muse, they must learn to find such inspiration from within, to bring out more of the anima within themselves. They are too alienated from their own feminine spirit and need to loosen up their own thought processes. Not needing this wildness from their fantasy
    woman, they will better relate to the actual women in their life.

    3- The Lovable Rebel: For the woman who is drawn to this type, the man who intrigues her has a noticeable disdain for authority. He is a nonconformist. Unlike the Devilish Romantic, this man will often be young and not so successful. He will also tend to be outside her usual circle of acquaintances. To have a relationship with him would be ever so slightly taboo—certainly her father would not approve, and perhaps not her friends or colleagues. If a relationship does ensue, however, she will see a totally different side to him. He can’t hold down a good job, not because he’s a rebel but because he’s lazy and ineffectual. Despite the tattoos and shaved head, he’s quite conventional, controlling, and domineering. The relationship will break apart, but the fantasy will remain.

    The woman with this projection often had a strong, patriarchal father who was distant and strict. The father represents order, rules, and conventions. He was often quite critical of his daughter—she was never good or pretty or smart enough. She internalized this critical voice and hears it in her head all the time. As a girl she dreamed of rebelling and asserting herself against the father’s control, but too often she was reduced to obeying and playing the deferential daughter. Her desire to rebel was repressed and went into her animus, which is quite angry and resentful. Instead of developing the rebelliousness herself, she looks to externalize it in the form of the rebellious male. If she senses a man might be like this, based on his appearance, she will project fantasies that are charged and sexual. Often times she chooses a man who is relatively young because this makes him less threatening, less of a patriarch. But his youth and immaturity make it almost impossible to form a stable relationship, and her angry side will come out as she grows disenchanted.

    Once a woman recognizes she is prone to this projection, she must come to terms with a simple fact: what she really wants is to develop the independence, assertiveness, and power to disobey in herself. It is never too late to do so, but these qualities must be built up and developed in small steps, everyday challenges in which she practices saying no, breaking some rules, et cetera. Becoming more assertive, she can begin to have relationships that are more equal and satisfying.

    4- The Fallen Woman: To the man in question, the woman who fascinates him seems so different from those he has known. Perhaps she comes from a different culture or social class. Perhaps she is not as educated as he is. There might be something dubious about her character and her past; she is certainly less physically restrained than most women. He thinks she’s earthy. She seems to be in need of protection, education, and money. He will be the one to rescue and elevate her. But somehow the closer he gets to her, the less it turns out as he had expected. (...)

    Men of this type often had strong mother figures in their childhood. They became good, obedient boys, excellent students at school. Consciously they are attracted to well-educated women, to those who seem good and perfect. But unconsciously they are drawn to women who are imperfect, bad, of dubious character. They secretly crave what is the opposite of themselves. It is the classic split of the mother/whore—they want the mother figure for a wife but feel a much stronger physical attraction to the whore, the Fallen Woman, the type who likes to display her body. They have repressed the playful, sensual, and earthy sides of the character they had as boys. They are too rigid and civilized. The only way they can relate to these qualities is through women who appear to be so different from themselves.

    (...), they find a way to idealize them with some highbrow reference that has no relation to reality. They project onto such women weakness and vulnerability. They tell themselves they want to help and protect them. But what really attracts them is the danger and naughty pleasures these women seem to promise. Underestimating the strength of such women, they often end up as their pawns. Their anima is passive and masochistic.

    Men who engage in this kind of projection need to develop the less conventional sides of their character. They need to move outside their comfort zone and try new experiences on their own. They require more challenges, and even a bit of danger that will help loosen them up. Perhaps they need to take more risks at work. They also need to develop the more physical and sensual side of their character. Not having to get what they crave by looking for the Fallen Woman type, they can actually begin to satisfy their urges with any type of woman, not passively waiting for her to lead them astray but actively initiating the guilty pleasures.

    5- The Superior Man: He seems brilliant, skilled, strong, and stable. He radiates confidence and power. He could be a high-powered businessman, a professor, an artist, a guru. Even though he may be older and not so physically attractive, his self-assurance gives him an attractive aura. For the woman attracted to this type, a relationship with him would give her an indirect feeling of strength and superiority. (...)

    It stems from feelings of inferiority. The woman in this case has internalized the voices of the father and others who have been so critical of her, who have lowered her self-esteem by telling her who she is and how she should behave. Not having ever developed her own strength or confidence, she will tend to search for these qualities in men and exaggerate any traces of them. Many of the men who respond to her sense her low self-esteem and find this alluring. They like the adoring attention of a woman, often younger, whom they can lord over and control. This would be the classic professor seducing the student. Because such men are rarely as brilliant, clever, and self-assured as she imagines, the woman either is disappointed and leaves or is trapped in her low self-esteem, bending to his manipulations and blaming herself for any problems.

    What such a woman needs to do is first realize that the source of her insecurity is the critical opinions of others, which she has accepted and internalized. It does not stem from her inherent lack of intelligence or worthiness. She must actively work at developing her assertiveness and self-confidence through her actions—taking on projects, starting a business, mastering a craft. With men, she must see herself as their natural equal, as potentially strong and creative as they are, or even more so. With genuine self-confidence she will then be able to gauge the true worth and character of the men she meets.

    6- The Woman to Worship Him: He’s driven and ambitious, but his life is hard. It’s a harsh, unforgiving world out there, and it’s not easy to find any comfort. He feels something missing in his life. Then along comes a woman who is attentive to him, warm, and engaging. She seems to admire him. He feels overwhelmingly drawn to her and her energy. This is the woman to complete him, to help comfort him. But then, as the relationship develops, she no longer seems quite so nice and attentive. She certainly has stopped admiring him. He concludes that she has deceived him or has changed. Such a betrayal makes him angry.

    This male projection generally stems from a particular type of relationship with the mother—she adores her son and showers him with attention. Perhaps this is to compensate for never quite getting what she wants from her husband. She fills the boy with confidence; he becomes addicted to her attention and craves her warm, enveloping presence, which is what she wants.

    When he grows up, he is often quite ambitious, always trying to live up to the expectations of his mother. He pushes himself hard. He chooses a certain type of woman to pursue and then subtly positions her to play the mother role—to comfort, adore, and pump up his ego. In many instances, the woman will come to understand how he has manipulated her into this role, and she will resent it. She will stop being so soothing and reverential. He will blame her for changing, but in fact he is the one projecting qualities that were never exactly there and trying to make her conform to his expectations. The ensuing breakup will be very painful for the man, because he has invested energy from his earliest years and will feel this as abandonment from the mother figure. Even if he is successful in getting the woman to play the role, he himself will feel resentment at his dependency on her, the same dependency and ambivalence he had toward his mother. He may sabotage the relationship or withdraw. His anima has a sharp, recriminating edge, always ready to complain and blame.

    The man in this case must see the pattern of these relationships in his life. What this should signal to him is that he needs to develop from within more of the mothering qualities that he projects onto women. He must see the nature of his ambition as stemming from his desire to please his mother and live up to her expectations. He tends to drive himself too hard. He must learn to comfort and soothe himself, to withdraw from time to time and be satisfied with his accomplishments. He needs to be able to care for himself. This will drastically improve his relationships. He will give more, instead of waiting to be adored and taken care of. He will relate to women as they are, and in the end they will perhaps feel unconsciously impelled to provide more of the comfort he needs, without being pushed into this.
  • About three things I was absolutely positive. First, Edward was a vampire. Second, there was part of him — and I didn’t know how potent that part might be — that thirsted for my blood. And third, I was unconditionally and irrevocably in love with him.”
    -Bella Swan, Twilight, Chapter 9, p.195
  • 197 syf.
    *It may contain spoilers*

    The book begins with an introduction, stating that Edward Prendrick wants to explain his uncle's notes. Then we read the notes from his mouth. He remains alone as a result of the sinking of the ship on which he is traveling and after other two sailors in evacuation boat fighting and falling into the water. A ship that saves Prendrick, who runs out of hopes is on the island of Dr Moreau. The animals on the ship and a person having strange-looking catch Prendrick's attention. Everything gets even stranger as he reaches the island and meets Dr Moreau. As we read the story, we realize that this is not just a story of a professor who does strange experiments on a desert island. These events, that we see through Prendrick's eyes are actually a story that symbolizes the issues of god-man, nature-civilization by using different figurines. From time to time we will witness the ideas of animal people who show the ideas of human beings about God.
    Dr Moreau is completely different as appearance than anyone else on the island. As Prendrick says, he has a face he has never seen before. Just as God with a unique look should be. Dr Moreau, as a God did not create them because of a need. He did it because he was curious as he said in the section that he explained to Prendrick. The interest is entirely a curiosity arising from the wish of God to see the boundaries of his own power. And due to the fact that he wants to show his might to someone, god creates animal people. In the heavenly religions, it is believed that God does not need servant hood by human beings. However, God have to draw some limits to prevent people from moving away from him, so that he can continue to being God. We see that the animal people are afraid of Dr Moreau. Thus, we can say that Dr Moreau has an obedience on animal people and this obedience caused by fear.
    Montgomery is in the role of intermediary figure between god and people. We are able to think about him like a prophet. The bond with the animal populace is a loyalty born from love. He is not a tough and strict character but a softer and more affectionate reminder, like the prophets adopted in heavenly religions. And we see that Prendrick compares Montgomery to the animal public as appearance. This again recalls the prophets created as human but equipped with some miracles from god. While Prendrick's analogy to Montgomery human side, on the other side the whip he carries in his hand and the number of fingers he possesses are some divine attributes dedicated to him by Dr Moreau whom we see as god. The words called the law in the story are the orders that god has revealed to the prophets through revelation. He is also obliged to keep them away from a place called house of pain. So we see him constantly reminding them of these words and controlling them.
    Individuals about the animal people symbolize humans views, thoughts and beliefs. After Dr Moreau's death, the dog man says to Prendrick that he sees everything, but he still believes and is loyal to him. We can say that the dog man pictures the faithful human part. Because when Dr Moreau died, the dog man deified Prendrick in his eyes. In the cause of him chose to believe in spite of everything, and he needs a phenomenon of god. The dog man's this attitude describes people who do not stop believing in God even if they are absolutely in doubt. We can compare that the dog man seeing Dr Moreau's death with her own eyes to factual science using methods and experiments. This situation is exactly like the science we can realize with our own senses. But despite all this, the dog-man draws a completely faithful profile, unlike an empiricist appearance.
    The sayer of the law who lives among the people of the animal and is one of them represents the clergy. He is completely from animal community and has no divine qualities. These clergys are generally in the leader place among religiously governed groups. When we look at all these features, we can see that sayer of the law plays the role of religious leaders whom we call today's Papa and St Patrick.
    Before Dr Moreau die hyena swine man has a god-believing but wanting to be free profile. Tasting blood is proof of that. It is not even certain whether he believes in God or not. The reason why he obeys is probable coming from the fear of the pain of house. With the death of God, we witness that the hyena swine man's ideas have changed permanently and undoubtedly. Actually there remains no phenomena that would need him to suppress the facts he believed before, and this has a big role. We can cite these phenomena the punishing god Dr Moreau and house of pain symbolizing the hell. Later in the story, we learn that the leopard man from the animal community enjoyed the blood. We know that Montgomery and Moreau make great efforts to hold animals from enjoying the blood. Because once they get this flavor, they will have no return. The taste of the blood symbolizes human souls. In fact, they are human features that are already inherent in human nature but are prohibited by God. God forbids these human souls with apparently have nothing bad to prevent people from fully liberating and returning to their own nature. Because as I stated before, there is no point in being a god when no one obeys him. In fact, we can compare their starting to become wild when they are like human beings to the conflict of nature and civilization. As they break these prohibited orders, they will feel happier, peaceful and completed. Under the name of God's law, they will not want to return to their state of constant restriction. Because they will begin to realize that these restrictions mean nothing in their favours, but just a game that God has set up to keep them at their disposal. M'ling is disgusted by the sailors on the ship and Prendrick, because they are in the form of civilized people.
    When Prendrick returns to his country, what he says is that I do not want to return among people anymore. Prendrick said that he did not want to give up his life between animal people, wild people. Because he found his own essence on the island and doesn't want to lose it again. When he first came to the island, the animal knew that people who were civilized would disgust him as well, and he knows he can't keep up with civilized people. He saw that Dr Moreau was not interested in them and did not like them. It creates all this just to satisfy itself. He knows God once, and it is impossible to believe him again. Prendrick says all the people seem to me are like animals in human forms. The reason for this is that there is an uncivilized who seeks freedom and essence in all people.
    There is a god being trying to restrict and attach humans direct his own profits. On the other hand we see humans being captive and in conflict in themselves. They all died, but some of them did not give up believing, some fight for freedom, some of do not find any answer. But after these every character find their each way.
  • İzlenmesi gereken en iyi psikolojik filmler
    1- Yağmur Adam (Otizm)
    2- Benim Adım Sam (Zeka geriliği olan bir baba ve kızı)
    3- Sol ayağım (Fiziksel engeli olan bir adam)
    4- Guguk Kuşu (Psikiyatri kliniğinde geçen olaylar)
    5- Aklım Karıştı (Psikiyatri kliniğinde geçen olaylar)
    6- Akıl Oyunları (Şizofreni)
    7- Wilber Ölmek istiyor (İntihar ve Depresyon)
    8- İçimdeki Deniz (Ötenazi isteyen bir adam)
    9- Kimlik (Çoklu kişilik bozukluğu)
    10- Şanslı (Ensest)
    11- Atlı Karınca (Ensest)
    12- Zenne (Eşcinsel eğilim ve aile tutumları)
    13- Siyah Kuğu (Mükemmliyetçilikpsikolojik gerilim)
    14- Gözlerimi de Al (Karı koca ilişkisi)
    15- Karanlıktakiler (Sosyofobi- cinsel taciz)
    16- Otomatik Portakal (Vicdan deneyi- vicdan var mıdır? var edilebilir mi?)
    17- Sineklerin tanrısı (İnsanların medeniyetten uzaklaştıklarında “id” lerinin nasıl devreye giridğini anlatıyor)
    18- Babam Büfe (Fakir bir aile yapısı)
    19- Benny’nin Videosu (Psikolojik gerilim – Aile ilişkileri)
    20- Funny Games (Psikolojik gerilim – Aile ilişkileri)
    21- Hayat güzeldir (Nazi Almanyası, baba oğul ilişkisi)
    22-İnsomnia (Polisiye , gerilim uyuyamayan bir polisin maceraları)
    23- Akıl defteri (Hafıza Kaybı)
    24- Tehlikeli ilişki (Freud- jung)
    25- Dövüş kulübü (Şizofreni)
    26- Ceket (Psikolojik gerilim)
    27- Truman şov (Kurgu bir yaşamda insan psikolojisi)
    28- Makinist (Uykusuzluk problemi- insomnia)
    29- Gizli pencere (Paranoya)
    30- Nietzsche Ağladığında
    31- Sen ne dilersen (İki kız kardeşin ilişkisi)
    32- Dönüş (Aile içi ilişkiler)
    33- Yirmi Üç (Takıntılı kişilik)
    34- Sil Baştan (İki farklı kişiliğin beraberliği- bilinçte yolculuk)
    35- Piyano öğretmeni (Aşırı tutucu bir kişilik ve beraberinde getirdiği cinsel sapkınlığı anlatan bir film)
    36- Takva
    37- Büyük balık (Baba- oğul ilişkisi)
    38-Abim evin tek çocuğu (Aile ilişkileri- özellikle kardeş ilişkisi üzerinde durulmuş)
    39- Beyza’nın kadınları (Çoklu kişilik bozukluğu)
    40- Max ve Mary (Asperger sendromu)
    41- Yerdeki Yıldızlar / Taare Zameen Par (Disleksi)
    42- Benim Adım Khan / Konusu: Rizwan Khan Otizm türü rahatsızlığı olan sperger sendromu hastasıdır..
    43- Beşir´le Vals
    44- İnception
    45- 3 İdiot
    46- Her Çocuk Özeldir
    47-Erkek Severse (Alkolizm)
    48- 28 Gün (Bağımlılık ve Alkol)
    49-Yukarıya Bak (Animasyon)
    50- Saklambaç (şizofren bir psikiyatristin hayatı)
    51- Benden Bu Kadar (Onsesif Kompülsif)
    52- Kevin Hakkında Konuşmalıyız
    53- Tehlikeli Oyun (Wawe, Dalga)
    54- Benim Küçük Gün Işığım
    55- İçinde Yaşadığım Deri
    56- Amedeus
    57- Beethowen’ı Anlamak
    58- Experiment
    59- Sybil
    60- Oğul Odası
    61- Gen
    62- Ölü Ozanlar Derneği
    63- The Game
    64- Black (Kör bir kız çocuğunun hayatı)
    65- Billy Elliot
    66- Forrest Gump
    67- Atlıkarınca
    68- Tavşan Deliği
    69- Herkes Mi Aldatır?
    70- Mozart ve Balina
    71- Good Will Hunting (Can Dostum)
    72- American Psycho
    73- 12 Angry Man
    74- İn Treatment (Dizi Film, her bölüm bir danışma seansıdır)
    75- Lie To Me (Beden Dilini Anlatmaktadır)
    76- Sherlock Holmes (Psikolojik analizler ve vaka çözümlemeleri)
    77- Umudunu Kaybetme
    78- Zindan Adası
    79- Zoraki Kral
    80- Öğretmenim Mori
    81- Özgürlük Yazarları (Varoş bir okulda bir idealist öğretmenin verdiği mücadele)
    82- The Mentalist (Dizi)
    83- Uçurtmayı Vurmasınlar
    84- Kelebek Etkisi
    85- Çıldırış
    86- Ghajini
    87- Kuzuların Sessizliği
    88- Kır Zincirlerini
    89- Aile Babası
    90- Başkalarının Hayatları
    Inception - (Aksiyon-Macera-Gizem)
    Prestij - (Gizem-Gerilim)
    The Illusionist - (Gizem-Romantik)
    Sherlock Holmes Series ­­­­­- (Aksiyon-Macera-Suç)
    Memento - (Gizem-Gerilim)
    Source Code - (Gizem-Bilim/Kurgu-Gerilim)
    Minority Report - (Aksiyon-Gizem-Bilim/Kurgu)
    Limitless - (Gizem-Gerilim-Bilim/Kurgu)
    Tron / Legacy - (Aksiyon-Macera-Bilim/Kurgu)
    Warrior - (Aksiyon-Dram-Spor)
    Unkown - (Gizem-Gerilim)
    Vantage Point - (Aksiyon-Suç)
    In Time (Aksiyon-Gizem-Bilim/Kurgu)
    Thor - (Fantastik-Aksiyon-Macera)
    Robin Hood - (Aksiyon-Macera)
    The Adjustment Bureau - (Gerilim-Bilim/Kurgu)
    Repo Men - (Aksiyon-Suç)
    The Departed - (Suç-Gizem)
    Eternal Sunshine of the Spotless Mind - (Dram-Romantik)
    Jeux d’enfants - (Dram-Romantik)
    The Curious Case of Benjamin Button - (Fantastik-Gizem-Dram)
    I Am Legend - (Dram-Gerilim-Bilim/Kurgu)
    The Pianist - (Dram-Savaş)
    The Sixth Sense - (Dram-Gizem-Gerilim)
    The Bourne Series - (Aksiyon-Suç-Gerilim)
    Slumdog Millionaire - (Dram-Romantik-Gerilim)
    Blood Diamond - (Macera-Dram)
    The Pursuit of Happyness - (Dram-Biyografi)
    The Machinist - (Gizem-Gerilim)
    Hugo - (Macera-Dram)
    Crazy,Stupid,Love. - (Komedi-Romantik)
    August Rush - (Müzikal-Dram)
    Closer - (Dram-Romantik)
    War House - (Dram-Savaş)
    Easy A - (Romantik-Komedi)
    Real Steel - (Bilim/Kurgu-Aksiyon)
    Men in Black Series - (Aksiyon-Komedi-Bilim/Kurgu)
    The Jacket - (Gizem-Bilim/Kurgu)
    P.S. I Love You - (Dram-Romantik)
    Hanna - (Aksiyon-Suç-Gizem)
    The Holiday - (Romantik-Komedi)
    50 First Dates - (Romantik-Komedi)
    The Hangover Series - (Komedi)
    This Means War - (Komedi-Aksiyon-Romantik)
    Largo Winch Series - (Macera-Gerilim)
    Dinner for Schmucks - (Komedi)
    The Butterfly Effect Series - (Suç-Bilim/Kurgu)
    The Bounty Hunter - (Romantik-Komedi)
    Man on a Ledge - (Suç-Aksiyon-Gerilim)
    The Road - (Macera-Dram)
    Jumper - (Aksiyon-Macera-Bilim/Kurgu)
    The Avengers - (Aksiyon-Bilim/Kurgu)
    The Girl with the Dragon Tattoo - (Suç-Gizem-Dram)
    Intouchables - (Biyografi-Dram-Komedi)
    The Hungar Games - (Aksiyon-Macera-Bilim/Kurgu)
    Abraham Lincoln / Vampire Hunter - (Aksiyon-Fantastik)
    Chronicle - (Bilim/Kurgu-Gerilim)
    The Dictator - (Komedi)
    Captain America / The First Avenger - (Aksiyon-Macera-Bilim/Kurgu)
    One Day - (Dram-Romantik)
    Colombiana - (Aksiyon-Suç-Dram)
    Mr. Popper’s Penguins - (Komedi)
    Body of Lies - (Aksiyon-Dram-Gerilim)
    (500) Days of Summer - (Komedi-Romantik-Dram)
    My Name Is Khan - (Dram-Romantik-Gerilim)
    3 Idiots - (Komedi-Romantik-Dram)
    I Am Number Four - (Fantastik-Bilim/Kurgu)
    The Raid Redemption - (Aksiyon-Suç-Gerilim)
    Franklyn - (Fantastik-Bilim/Kurgu)
    She’s Out of My League - (Romantik-Komedi)
    Prince of Persia / The Sands of Time - (Aksiyon-Macera-Fantastik)
    Percy Jackson & the Olympians / The Lightning Thief - (Fantastik-Macera)
    TheTwilight Saga (Fantastik-Bilim Kurgu-Romantik)
    Hooligans - (Suç-Spor)
    Mongol - (Biyografi-Dram)
    Takers - (Aksiyon-Suç-Gerilim)
    The Shawshank Redemption - (Dram-Suç)
    Fight Club - (Dram)
    The Green Mile - (Dram-Suç-Fantastik)
    Se7en - (Suç-Gizem-Gerilim)
    Leon - (Dram-Gerilim-Suç)
    Saving Private Ryan - (Aksiyon-Dram-Savaş)
    V for Vendetta - (Aksiyon-Gerilim)
    Amelie - (Komedi-Romantik)
    The Basketball Diaries - (Biyografi-Suç-Dram)
    A Beautiful Mind - (Biyografi-Dram)
    25th Hour - (Suç-Dram)
    The Aviator - (Biyografi-Dram)
    Million Dollar Baby - (Dram-Spor)
    Catch Me If You Can - (Biyografi-Komedi-Suç)
    Lord of War - (Suç-Gizem-Gerilim)
    The Godfather Series - (Dram-Suç)
    Harry Potter Series - (Macera-Fantastik)
    The Lord of the Rings Series - (Aksiyon-Macera-Fantastik)
    Batman Series - (Aksiyon-Macera-Suç)
    Pirates of the Caribbean Series - (Aksiyon-Macera-Fantastik)
    The Expendables Series - (Aksiyon-Macera-Gerilim)
    Ocean’s Series - (Suç-Gerilim)
    Iron Man Series - (Aksiyon-Macera-Bilim/Kurgu)
    Undisputed Series - (Aksiyon-Suç-Dram)
    The Perks Of Being a Wallflower (Dram-Romantik)
    Back To The Future (Aksiyon,Macera) 3 filmi var
    Soul Surfer (Biyografi-Dram-Spor)
    Menace ii Society (Dram-Aksiyon)