Hüsn ü Aşk'ın Diğer Mesnevilerden Farkı
This text has been automatically translated from Turkish. Show Original
Hüsn ü Aşk presents a serious difference from the old mesnevi-story fictions. The "three-stage" feature we observe in almost most of them. In contrast to the structure, here the story manifests itself in four parts:
The first part introduces the characters of the story and highlights Hüsn's love;
The second part, in which two of the story characters consciously change roles and functions in a way that we have never encountered in any classical masnavi;
The adventures of Love, who represents the main movement in the mesnevi, are conveyed, it is aimed to reach the Realm of Heart, and it is a "fantastic" story. The third part is dominated by narration;
and finally "vuslat", which appears towards the end of the work. section.
Sayfa 89 - Nurettin Turinay
Hüsn ü Aşk'ın Diğer Mesnevilerden Farkı
This text has been automatically translated from Turkish. Show Original
Aşık Garib's journey to reach and find his lover; Mecnun's fall into the desert for Leyla; There is not the slightest similarity between the endless difficulties that Ferhad undertakes to penetrate the Bisütun Mountain and his journey to the Diyar-ı Kalp in Hüsn ü Aşk.
The journey to the Realm of Heart is not a difficult journey that takes place on the physical plane, on the contrary, it is a spiritual state that a person directly navigates within himself.
More clearly, this journey of Love stems from a spiritual state he perceives in his heart and soul, an "inner life" while he is between his body and the Ben-i Muhabbet tribe. It is nothing but.
We can come face to face with such an "inner life" for the first time among old stories through Hüsn ü Aşk. There is a conscious concretization during the narration of this "inner life". The power of Galib's poetry reveals itself in this ability to concretize.
Sayfa 98 - Necmettin Türinay
Hüsn ü Aşk'ın Diğer Mesnevilerden Farkı
This text has been automatically translated from Turkish. Show Original
For all these reasons, in the story of Hüsn ü Aşk, since an isolated Mevlev's environment is described, it is called "Ben-i Muhabbet". The tribe is also known as "Mevlevi dervishes" in the real world. We want to talk about what could happen.
Based on this, we have the opportunity to better understand the correspondence of Mekteb-i Edeb to the dervish lodge, Molla-yı Cünun to a Mevlevi sheikh, and Zatüssuver castle to worldly pleasures and the worldly world of man. However, Sühan, who has an important function in the story, cannot be thought of in this way.
Sayfa 102 - Necmettin Turinay