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John Banville

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This is simply a stunningly beautiful book. It focuses on a family which is gathered together because the father, Adam Godley, a brilliant theoretical mathematician, is on his deathbed. He is attended by his second wife, his son Adam (and Adam's wife Helen), and his daughter Petra. Petra's "young man" visits, although his interest in Petra is not clear. There are a few others stopping by the Godley home as well. The narrator of the novel is Hermes, the Greek god (aka Mercury), and Zeus and Pan play key roles as well. Bringing in the gods to accompany a family facing the death of one of its members is Banville's genius: who better to opine on the end of life than the immortals, whose lives have no ends. The gods also play other roles in the lives of several members of this family; to be more detailed than that would spoil. Suffice it to say that Banville handles all this with brilliance. Whether we are inside a god's head as narrator ("Of the things we fashioned for them that they might be comforted, dawn is the one that works.") or the head of the dying man ("When the time comes, and it cannot be very long now, I want to die into the light, like an old tree feeding its last upon the radiance of the world") or seeing what family members are thinking and feeling, we are always in the presence of a knowing mind, a mind that understands exactly how we think and feel. It is not for nothing that this is Banville's fifteenth novel; no young writer could be so wise or translate that wisdom in words so well. Every page is jeweled, studded with insight beautifully presented. I do not want to forget what is here.
The Infinities
The InfinitiesJohn Banville · Knopf Publishing Group · 201015 okunma
Reklam
Time too is a difficulty. For her it has two modes. Either it drags itself painfully along like something dragging itself in its own slime over bits of twigs and dead leaves on a forest floor, or it speeds past, in jumps and flickers, like the scenes on a spool of film clattering madly through a broken projector. She is always either lagging behind or hopelessly far in front of everyone else, calling plaintively after them through cupped hands or gabbling back at them breathlessly over her shoulder.
understand your scepticism. Why in such times as these would the gods come back to be among men? But the fact is we never left — you only stopped entertaining us. For how should we leave, we who cannot but be everywhere? We merely made it seem that we had withdrawn, for a decent interval, as if to say we know when we are not want...
She touches her husband’s hand where it lies on the blanket. It has an unsettling feel, the skin brittle as greaseproof paper and the flesh pulpy underneath; it is like a package of scrap meat from the butcher’s, chill and sinewy; it is not the hand that she remembers, so delicate and fine. That invisible presence barges past her again, or through her, rather, and she feels it is she that is without substance, as if she and not this other were the ghost. Her husband’s eyelids spring open and his eyes after a moment of agitated searching find her face. She smiles with an effort and speaks his name softly. It is hard to make out his features in the dimness but she is loath to switch on the light. Dr. Fortune assures her that it is her loving care that is keeping her husband alive and nothing else — why then does he look at her now with such seeming fury?
They can get no more from this topic and are silent again. He has that feeling of helpless exasperation his sister so often provokes in him. She stands as she always does, half turned away, at once expectant and cowering, as if longing to be embraced and at the same time in dread of it. When she was little she had no tickles and would squirm away from him with a scowl but then would lean back again, droopingly, unable to help herself, her sharp, narrow shoulders indrawn like folded wings and her head held to one side, seeming miserably to invite him to try again to make her squeal
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