The Salt Grows Heavy

Cassandra Khaw

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A thousand mythologies contributed to my conception. Who can say which of them was responsible for this miracle?
There is a reason the hunt is central to so many narratives. For all that humanity professes to delighting in its own sophistication, it longs for simplicity, for when the world can be deboned into binaries: darkness and light, death and life, hunter and hunted. It is this desire, perhaps, that drives so many to seek spouses among the inhuman and the immortal. Valkyries who cloak themselves in swan feathers. Long-throated crane wives, foreheads slashed with scarlet. Fox girls with bloody mouths and carnivore grins. Dryads, fairy women, the huldra with spines of gnarled bark. And mermaids, of course, hunger and glimmering scales, like nothing the air might ever produce and nothing the land could hope to keep.
Reklam
What need is there for such platitudes when you are born to yourself time and again? Like a story, we are the summation of our incarnations, a spirit refracted through a billion lives. We are our pasts, our futures, tethered by the flavor of our sisters’ flesh.
They were always men, those itinerant storytellers, for the bitter winding roads—bandit-swollen, lord-haunted—were and, for all that I might wish otherwise, will likely always be unkind to women.
Of all the men who have mistold my history, I resent him least. Like me, he stood anchored in gilded chains, throat and wrists collared by another’s presumptions, breath beaten to gasps by a world that permits only a single direction: forward and away from our heart’s desire.
“Do you see now?” the three cry in unison, voices bolstered by the paeans of their disciples, messianic in their mutilation. In that moment, they are nothing if not mythic, nothing if not gods of this small place, this snow-swallowed taiga. “Do you not *see*?”
Reklam