In my dreams I’ll always see you soar above the sky. In my heart there will always be a place for you..
We have a kind of greed in our genes. Call it selfish, call it what you will, but it is necessary to us, and it will not be eliminated in yours or my lifetime. There are a lot of people out there who dream of Utopia (as do I) where nice guys get the fair end of things, and power is not all we seek, nor is it wielded blindly, but that’s not the way it is.
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Seduction is a kind of spell, an enchantment. When you seduce, you are not quite your normal self; your presence is heightened, you are playing more than one role, you are strategically concealing your tics and insecurities. You have deliberately created mystery and suspense to make the victim experience a real-life drama. Under your spell, the
Sayfa 417 - 24-Beware the AftereffectsKitabı okudu
Do not confuse flowery language with seduction: in using flowery language you run the risk of wearing on people's nerves, of seeming pretentious. Excess verbiage is a sign of selfishness, of your inability to rein in your natural tendencies. Often with language, less is more; the elusive, vague, ambiguous phrase leaves the listener more room for imagination than does a sentence full of bombast and self-indulgence. You must always think first of your targets, and of what will be pleasant to their ears. There will be many times when silence is best. What you do not say can be suggestive and eloquent, making you seem mysterious. (…) If you are not eloquent, if you cannot master seductive language, at least learn to curb your tongue—use silence to cultivate an enigmatic presence. Finally, seduction has a pace and rhythm. In phase one, you are cautious and indirect. It is often best to disguise your intentions, to put your target at ease with deliberately neutral words. Your conversation should be harmless, even a bit bland. In this second phase, you turn more to the attack; this is the time for seductive language. Now when you envelop them in your seductive words and letters, it comes as a pleasant surprise. It gives them the immensely pleasing feeling that they are the ones to suddenly inspire you with such poetry and intoxicating words.
Sayfa 263 - 10-Use the Demonic Power of Words to Sow ConfusionKitabı okudu
In seduction, you need to create constant tension and suspense, a feeling that with you nothing is predictable. Do not think of this as a painful challenge. You are creating drama in real life, so pour your creative energies into it, have some fun. There are all kinds of calculated surprises you can spring on your victims sending a letter from out of the blue, showing up unexpectedly, taking them to a place they have never been. But best of all are surprises that reveal something new about your character. This needs to be set up. In those first few weeks, your targets will tend to make certain snap judgments about you, based on appearances. Perhaps they see you as a bit shy, practical, puritanical. You know that this is not the real you, but it is how you act in social situations. Let them, however, have these impressions, and in fact accentuate them a little, without overacting: for instance, seem a little more reserved than usual. Now you have room to suddenly surprise them with some bold or poetic or naughty action. Once they have changed their minds about you, surprise them again, (...). As they strain to figure you out, they will be thinking about you all of the time, and will want to know more about you. Their curiosity will lead them further into your web, until it is too late for them to turn back.
Sayfa 245 - 9-Keep Them in Suspense—What Comes Next?Kitabı okudu
In planning your assault, keep these principles in mind: Pay Attention to Gestures and Unconscious Signals. As Sigmund Freud remarked, “No mortal can keep a secret. If his lips are silent, he chatters with his fingertips; betrayal oozes out of him at every pore.” This is a critical concept in the search for a person’s weakness—it is revealed by
Sayfa 272 - Law 33: Discover Each Man's ThumbscrewKitabı okudu
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