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Karşınızda 33 kitaplık "Metis Bilimkurgu" dizisi. 1995-2002 yılları arasında Metis Yayınevi'nin yayımladığı bu kitaplardan birçoğunun güncel olarak baskısı bulunmuyor ne yazık ki. Bazıları
“Mutsuz olduğumu ve kimse tarafından sevilmediğimi kabul etmek, ikisi de gerçek olsa da, benim için çok zordu.”
Sayfa 31 - Metis Yayınları
Among that which was discarded when Western man set out on his special path was traditional myth with its spirit-based transcendent symbology. The appearance and development of SF can be understood as the gradual re-establishment of myth in the Western world, starting from first principles, and phrasing itself in a new, deliberately “non-spiritual” symbolic vocabulary.
With the coming of this era of the ordinary Joe, the popular arts in America took on a legitimacy they had never had before. Suddenly, at the end of the Thirties, there was a creative Golden Age in one medium after another all across the spectrum of popular entertainment, from Hollywood movies and cartoons to swing music to comic books.
At the time when John Campbell became an editor in 1937, there were still only three SF magazines: Astounding, Amazing and Thrilling Wonder. But by 1941, no fewer than twenty-one different SF pulp magazines were being published.
SF, when Wells took it up, was like a small child raised inside a closed house, daring occasional peeks through the curtain, but always turning back to the familiar world within. H.G. Wells, in the period in which there was nothing he didn’t dare to imagine, took science fiction by the hand, and led it outdoors.
We also have an answer to H.G. Wells’s inability to imagine what an ordinary man might find to do out there amongst the enigmatical immensities. The Skylark of Space suggests that even if we had no other reason to travel to the stars, our own human conflicts, attitudes and aspirations might be enough in themselves to provide motive to go and reason to act once we arrived.