En Beğenilen Sandra M. Gilbert Sözleri ve Alıntıları
En Beğenilen Sandra M. Gilbert sözleri ve alıntılarını, en beğenilen Sandra M. Gilbert kitap alıntılarını, etkileyici sözleri 1000Kitap'ta bulabilirsiniz.Infection in the Sentence :
The Woman Writer and the Anxiety of Authorship
Thus the "anxiety of influence" that a male poet experiences is felt by a female poet as an even more primary "anxiety of authorship" — a radical fear that she cannot create, that because she can never become a "precursor" the act of writing will isolate or destroy her.
Sayfa 49
Infection in the Sentence :
The Woman Writer and the Anxiety of Authorship
Thus Bloom explains that a "strong poet" must engage in heroic warfare with his "precursor," for, involved as he is in a literary Oedipal struggle, a man can only become a poet by somehow invalidating his poetic father.
Sayfa 47
Infection in the Sentence: The Woman Writer and the Anxiety
Literally confined to the house, figuratively confined to a single "place," enclosed in parlors and encased in texts, imprisoned in kitchens and enshrined in stanzas, women artists naturally found themselves describing dark interiors and confusing their sense that they were house-bound with their rebellion against being duty bound.
Sayfa 84
Infection in the Sentence: The Woman Writer and the Anxiety
...the confinement of these women, a confinement that was inescapable for them even at their moments of greatest triumph, a confinement that was implicit in their secretness. This confinement was both literal and figurative. Literally, women like Dickinson, Bronte, and Rossetti were imprisoned in their homes, their father's houses; indeed, almost all nineteenth-century women were in some sense imprisoned in men's houses. Figuratively, such women were, as we have seen, locked into male texts, texts from which they could escape only through ingenuity and indirection.
Sayfa 83
Infection in the Sentence: The Woman Writer and the Anxiety
As Elaine Showalter has shown, until the end of the nineteenth century the woman writer really was supposed to take second place to her literary brothers and fathers. If she refused to be modest, self-deprecating, subservient, refused to present her artistic productions as mere trifles designed to divert and distract readers in moments of idleness, she could expect to be ignored or (sometimes scurrilously) attacked.
Sayfa 61
The Queen's Looking Glass
The male child's progress toward adulthood is a growth toward both self-assertion and self-articulation, "The Juniper Tree" implies, a development of the powers of speech. But the girl child must learn the arts of silence either as herself a silent image invented and defined by the magic looking glass of the male- authored text, or as a silent dancer of her own woes, a dancer who enacts rather than articulates.
Sayfa 43