Sandra M. Gilbert

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Infection in the Sentence: The Woman Writer and the Anxiety
...the confinement of these women, a confinement that was inescapable for them even at their moments of greatest triumph, a confinement that was implicit in their secretness. This confinement was both literal and figurative. Literally, women like Dickinson, Bronte, and Rossetti were imprisoned in their homes, their father's houses; indeed, almost all nineteenth-century women were in some sense imprisoned in men's houses. Figuratively, such women were, as we have seen, locked into male texts, texts from which they could escape only through ingenuity and indirection.
Sayfa 83
Infection in the Sentence: The Woman Writer and the Anxiety
More specifically, however, the one plot that seems to be concealed in most of the nineteenth-century literature by women which will concern us here is in some sense a story of the woman writer's quest for her own story; it is the story, in other words, of the woman's quest for self-definition... ...The story "no man may guess," therefore, is the story of her attempt to make herself whole by healing her own infections and diseases.
Sayfa 76
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Infection in the Sentence: The Woman Writer and the Anxiety
Conditioned to doubt their own authority anyway, women writers who wanted to describe what, in Dickinson's phrase, is "not brayed of tongue" would find it easier to doubt themselves than the censorious voices of society. The evasions and concealments of their art are therefore far more elaborate than those of most male writers. For, given the patriarchal biases of nineteenth-century literary culture, the literary woman did have something crucial to hide.
Sayfa 75
Infection in the Sentence : The Woman Writer and the Anxiety of Authorship
Thus the "anxiety of influence" that a male poet experiences is felt by a female poet as an even more primary "anxiety of authorship" — a radical fear that she cannot create, that because she can never become a "precursor" the act of writing will isolate or destroy her.
Sayfa 49
Infection in the Sentence: The Woman Writer and the Anxiety
In other words, the "female diseases" from which Victorian women suffered were not always byproducts of their training in femininity; they were the goals of such training.
Sayfa 54
Infection in the Sentence : The Woman Writer and the Anxiety of Authorship
Thus Bloom explains that a "strong poet" must engage in heroic warfare with his "precursor," for, involved as he is in a literary Oedipal struggle, a man can only become a poet by somehow invalidating his poetic father.
Sayfa 47
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