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Robert Evans
Robert Evans
@RobertEvns
Architecture
Durham Universty
Liverpool
Москва
117 reader point
Joined on April 2020
Okuma Hedefleri
I remember my childhood when I read White Nights. Maybe it's one of the mistakes many of us make as children: to make one friend superior to another. Pretend to play with the other when one is gone and leave him alone when the other comes. In fact, two people are one and humiliate our other friend. And finally need our friend, whom we have
It is said that man represents a confused, difficult-to-cross passage, losing himself on winding paths. In this book, Dostoevsky, in a similar language to us, exposes the dark and complex aspects of the human soul to us, inviting us to think and question it together. If you have accepted the invitation, go to the review...
In Franz Kafka's"
Black and Poor..
Toni Morrison tells The Story Of All Blacks in this work through being black and poor; she interweaves the stories to show that the characters we were angry with in the previous episode were also victims of others, and that all victims were victims of everything that happened to blacks. When we reach the end of the book, we do not know who we are going to be angry at, because injustice and evil have reached so deep, and black people have been so gripped that we cannot even be angry at those who kill each other and exploit each other. As we grieve for someone to become a victim, the next part is the story of the person who exploited that victim, this time our grasp is growing.So the writer expands our perception in each episode, allowing us to look at what was actually done to the All Blacks through a few people. The terrible story of little black Pecola, who wants to be blue-eyed by praying to God every day; it is added and expanded with the stories of those who have been victims of their own oppression, their own victimhood, putting an incredibly impressive truth of exploitation before us: neither being angry nor angry can destroy such a terrible, tangible evil, the living. That's why all that's left is words...literature stays...the incredible power of literature remains.
I read Toni Morrison's book twice at different times years ago. I'm thinking of reading it again. This work is one of the best examples of the power of literature to tell, Show, and disclose. Katmer katmer is a magnificent work where pain grows before our eyes. So, surely, I suggest to every reader whose heart cannot do without literature.
Reader Follow Recommendations
Knowledge is power..
The brains of people living in houses covered with screens are bathed in published advertisements, sequences, rubbish culture. Those who don't read, those who don't learn. the ignorant will not burn the books.But after all, a handful of people who defy this order will carry the culture by memorizing the books.
"Knowledge is power.” Too many times too much information can have vital consequences.
He tells me that he realized something was missing in his life. Everyone believes life would be better if they spent an hour or two reading books. He points out that reading books is not enough; he states that the trick is not to read books dry, but to discover the details in them. The books” show the pores on the face of life, " meaning that life is not out of powdery dreams it strikes people in the face.
Every man is a book. Every book is in one man. Even when the heat is rising and the pressure is intensifying, the strength of human resistance is sufficient to preserve the heritage in the books.
The work appeals to everyone, not just book lovers. It's an easy-to-read, suggestive book.
İnner-Dystopian
I don't know how to describe a book that is both open and symbolic. I think that's the power of the dystopian genre: being able to live without telling.
The story that is being created on the grounds of depopulation is based on the use of women as tools, just like a commodity, for the purpose of increasing the population. The fiction is extraordinary, terrifying and detailed. That was the first thing that accelerated my reading and connected me to the book. But that's not what I found most impressive. What caught my attention, he insisted, were the stages of transition. It can never be easy to put a society into a different configuration, a different order at once. This is like Ember, for it is, something that happens over time. I think those words sum up enough..
"Nothing changes at once: you'll be scalded to death in a hot tub before you know it. There were stories in the newspapers, of course, bodies found in ditches or in forests, beaten to death or mutilated, attacked as they used to say; but these were about other women, and the men who did them were other men. None of them were men we knew. Newspaper stories were like dreams for us, bad dreams for others.
We used to say, ' how terrible they were, but they were terrible, beyond belief.' They were overly melodramatic, they had a dimension that didn't belong in our lives."
In this "wonderful" life, where everything is gradually manipulated, free and free, we are most often in a time and order that allows one to live their own self-dystopian lives with tyrannical, unwelcome responsibilities. The book I read
Apocalypse Now
first to say, difficult-to-read book. His language is very heavy and difficult to understand for the same reason. for this reason, I wish patience to those who read this book at first.
On the subject of the book, the general comment before reading was that the book was written about racism. But when you start reading it, it becomes clear that the book has nothing to do with racism, especially Joseph Conrad's anti-racism. he doesn't really talk about black people in his book. He even said "blackness" somewhere in the book. When you think about the fact that black people are not treated as human beings, especially in the eyes of Westerners, the writer lives on, it's not surprising.
In fact, the book is about a man's mental breakdown and the fact that he sees himself at the level of God for black people.
I don't know how he did it, but he led the masses after him. It is also the inspiration for" Apocalypse Now"...
I suggest that if you're going to read this book, Don't expect anything to do with racism and anti-racism. If you like psychological books, you can enjoy them. Other than that, I didn't find much in this book.
In fact, for a few days I had been wandering around Chile with interesting characters buried in Isabel Allende's book, but today I wanted to read The Burning Secret, I saw it in my library without thinking too much and immediately took it in my hand...
This little novel or long story by Stefan Zweig shows us that there is not much that changes compared to the author's other books: our story is set between a mother, a son, and a stranger, and we are incorporated into a small part of Little Edgar's big-throated growth process. Edgar has a less convincing tone at the beginning of the story than in the second part of the book, but the author is quoting this aspect of the character's inner voice in a way that allows us to distinguish The Voice of an adult, especially in the second part of the book.
The story is a familiar story in a sense: the author had a similar theme in his work Horror. There is also a fear here: Edgar's fears spread like a nightmare into the story; Edgar first appears as a child full of anger, hatred, then turns into a very beautiful story character with the consistency of wonder, worry, regret and acceptance and forgiveness. The second part of the book, that is, from the part where the "crime"was committed to the last page, Zweig turns Edgar into a very beautiful, very convincing character. The effort to create an atmosphere that seemed to be a compulsion at the beginning of the story is now becoming more literary in these parts and more softly suited to the spirit of the story. Perhaps Stefan Zweig is more compassionate, compassionate when describing not Edgar's anger and hatred but his love, his maternal longing, the criminal steps he has taken towards growth. This approach softens the hard face of the story,
When I heard your name so often lately, I wanted to read it. I honestly didn't expect it to be so artistic as a children's book. I was late to read the little prince, but the innocence in the writer's narrative seems to have taken me to my childhood. It aroused such naïve, innocent feelings. It would be nice if some feelings remained the way they were when we were kids, regardless of who said what, we could put aside our dreams and thoughts in a standard pattern and explore the beauty of living to the fullest, accepting people as they are and respecting their wishes. It's a meaningful work that I think will add a lot to the world of not only children but also adults. Necessarily must be read.
