LOVİNGLY WULF DORN
First of all, such a sincere start made me very emotional. The fact that it started with the phrase "For strict readers" shows the value given to those who have been following it for a long time. This made me very happy and excited. His first work aroused a desire to recall. Such approaches reinforce the link between the reader and the author. It is necessary to know the value of such intimate contacts in the literary world. On this occasion, I would like to express my gratitude for this delicacy of the author. It must be a really impressive experience that you've moved into the second book and that the excitement has shocked you in every episode without ever being let go. Such immersive stories draw the reader into it, and experience different emotional ups and downs. Each episode is "How's it!" The fact that it is a scene of moments that make you think shows the mastery of the writer and the power of fiction. This is also a testament to how fluent and unpredictable the reading adventure progresses. The fact that the books are so intriguing leads readers to turn the next page with great impatience. This is an important factor that also increases the overall quality of the work and its impact on the reader. How nice to see such an impressive series. Such experiences bring the pleasure of reading to the heights and remain in mind for a long time. The works of this author have a really different place for me. I think that leaving the stories open-ended in this way is somewhat positive. This allows the reader to continue his plot using his own imagination. It's quite enjoyable to set up our own scenarios and think about the future of the characters. This preference by the author makes the impact of the work more permanent. The fact that each reader can add his own
Sinemada Özel Kavramlar ve Estetikler Sözlüğü
1. Estetik ve Stil Kavramları
Kitsch – Abartılı, yapay, ucuz ama eğlenceli estetik.
Örnek: Double Team (Van Damme – Dennis Rodman)
Camp – Kitsch’e benzer, bilinçli şekilde yapılan abartı; ironi ve eğlence barındırır.
Örnek: Batman & Robin (1997)
Noir (Film Noir) – 1940’lar–50’lerin karanlık, suç ve dedektif filmleri; gölgeli siyah-beyaz görüntüler ve umutsuz karakterler.
Örnek: The Maltese Falcon (1941), Chinatown (1974)
Neo-noir – Modern noir unsurlarını taşıyan film türü.
Örnek: Blade Runner (1982)
Pulp – Ucuz dergi hikâyelerinden türemiş, kanlı ve aksiyonlu ama eğlenceli filmler.
Örnek: Pulp Fiction (1994)
Grindhouse – 1970’lerin düşük bütçeli, şiddetli, erotik veya “ucuz görünen” filmleri.
Örnek: Grindhouse (2007)
Arthouse – Sanat sineması, deneysel ve estetik odaklı.
Örnek: Tarkovski – Stalker (1979)
Campy vs. Cheesy
• Campy: Bilerek abartılı, ironik.
• Cheesy: Klişe ve yapay duygusallık.
Örnek: Romantik filmlerde yağmur altında öpüşme sahneleri – cheesy
Reklam
sinemada kullanılan özel kavramlar
1. kitsch
abartılı, yapay, ucuz ama eğlenceli estetik.
örnek: double team (van damme – dennis rodman ikilisi)
2. camp
kitsch'e benzer ama daha bilinçli şekilde yapılmış abartı. genelde ironi barındırır. “kendini ciddiye almayan” yapay estetik.
örnek: batman & robin (1997), lady gaga'nın birçok klibi.
3. noir (film noir)
kara film. 1940'lar–50'lerin karanlık, suç, dedektif filmleri. gölgeli siyah-beyaz görüntüler, umutsuz karakterler.
örnek: the maltese falcon (1941), chinatown (1974) (neo-noir).
4. pulp
ucuz dergi hikâyelerinden türemiş, kanlı, şiddetli, aşırı aksiyonlu ama eğlenceli filmler.
örnek: quentin tarantino'nun pulp fiction (1994) filmi.
5. grindhouse
70'lerin düşük bütçeli, şiddetli, erotik veya “ucuz görünen” sineması. seyirciyi şok etmek için yapılır.
örnek: tarantino & robert rodriguez'in grindhouse (2007) projesi.
6. arthouse
sanat sineması. daha deneysel, ticari kaygısı az, estetik ve fikir odaklı filmler.
No not the Princess
“What happened?” she asked.
The king couldn’t answer her. It filled him with shame. Hira, pitying him,
addressed Almira.
“Justan Seaver took the baby,” Hira said quickly.
Almira stared at her, her black eyes penetrating as she went eerily still.
Her lips slacked, she grasped her belly.
“What baby?”
“Almira,” the king whispered. “We’ll find her. He couldn’t have gotten
far. We have ships out on the coast, men combing the city—”
“WHAT BABY?” She stumbled back.
He reached to her, but she moaned and pulled away from all who came
near her.
“Cuzo, I’m sorry—” Sanaa tried, her voice unrecognizable.
But the Queen turned and shot down the hall towards her quarters. They
all rushed behind her.
The Mesedi and Black Knights overwhelmed the hallways as they
searched the castle, but Hira knew, deep in her gut, that it was too late.
Justan was smart. He would’ve planned, he would be where they least
expected. He’d out-thought them.
Hira didn’t know how Almira ran up the stairs, but her determination was
incomparable. When they reached the landing at the high quarters, all the
soldiers and guards were still posted before the chamber, their weapons
clean and their bodies relaxed.
“He couldn’t have. She’s safe!” Almira pushed the soldiers out as they
made way for her, as she shoved open the doors to the chambers.
Inside the chambers was a silent, macabre display of bodies. Two young
Red Guards were dead, one with a blade protruding from her back and
another with a split throat. None of them with weapons at hand. Someone
had calmly ambushed them. A maid laid out next to the antechamber door,
killed in a swift, gory manner.
To The Lady of Istok
“You’re a dragon,” she whispered to herself without allotting it much
meaning. Words were simply words and right now, words bled her.
Angrily, she yanked from her trunk a blue and gold fur-lined royal cape
and tossed it over her shoulders. She felt Almira’s eyes shine in approval.
Show them who leads, and they’ll follow. Hira would face the sailors once
more and she must show command of position. She wouldn’t have that
commander make the men question her power. She would save her battles
for her mother and not waste them on sea commanders.
“Gods of the sea! Dragons of the waters! Bless this here voyage, bless
your Istokian children, and protect the High Lady of Istok on her journey
home!”
“TO THE LADY OF ISTOK!”
Hira flushed as the men all chanted this. Commander Justan spared her a
look, then drank deeply from his ale. The rest followed, then yelled, and
threw the cups into the bay with gusto.
tek mekanda geçen filimler part-2
tek mekanda geçen zombi/virüs filmleri
1. dead set (2008)
big brother evinde zombiler dışarıyı istila ederken, içerideki yarışmacılar hala yayındadır. medya hicviyle kapan hissi birleşir.
2. pontypool (2008)
bir radyo istasyonunda geçen virüs yayılımı. enfeksiyon kelimelerle bulaşıyor. dışarısı görünmez ama tehdit içerde yankılanır.
3. the night eats the world (2018)
bir apartman dairesinde tek başına kalan adam, zombilerle değil, yalnızlıkla boğuşur. yavaş yavaş çözülme başlar.
4. la contagiada (2020, kolombiya)
karantinada tek başına kalan bir hemşire, virüsle mi, delilikle mi savaşıyor belirsiz. ev boğuluyor, sesler büyüyor.
5. alone (2020, abd versiyonu)
genç bir adam apartman dairesinde karantinaya yakalanır. karşı dairede bir kadın hayattadır. sadece camdan iletişim mümkün.
6. #alive (2020, güney kore)
aynı apartmanda geçen bir virüs salgını. bir gamer, dış dünyayla bağlantısı kopunca içeride çözülmeye başlar.
7. rec (2007, ispanya)
gazeteci ve kameraman, karantinaya alınmış bir binaya girer. kapılar kapanır. zombi değil, başka bir şey büyümektedir.
8. wyrmwood: apocalypse (2021)
zombi kıyameti sırasında bir karavan ve laboratuvar etrafında geçen kapalı mekan savaşı. mekan, hayatta kalmanın anahtarıdır.
9. in the earth(2021)
pandemi sonrası ormanda izole bir araştırma istasyonu. virüs, doğa ve bilinç iç içe geçer. gerçeklik bulanıklaşır.
Reklam
Reklam