Neden Düşeriz Bruce?
"Neden düşeriz Bruce? Yeniden ayağa kalkabilmeyi öğrenmek için." (And why do we fall, Bruce? So we can learn to pick ourselves up.) Dark Knight Rising
Sometimes all niceness gone
I had gone to no place where the roads were frozen and hard as iron, where it was clear cold and dry and the snow was dry and powdery and hare-tracks in the snow and the peasants took off their hats and called you Lord and there was good hunting. I had gone to no such place but to the smoke of cafés and nights when the room whirled and you needed to look at the wall to make it stop, nights in bed, drunk, when you knew that that was all there was, and the strange excitement of waking and not knowing who it was with you, and the world all unreal in the dark and so exciting that you must resume again unknowing and not caring in the night, sure that this was all and all and all and not caring. Suddenly to care very much and to sleep to wake with it sometimes morning and all that had been there gone and everything sharp and hard and clear and sometimes a dispute about the cost. Sometimes still pleasant and fond and warm and breakfast and lunch. Sometimes all niceness gone and glad to get out on the street but always another day starting and then another night. I tried to tell about the night and the difference between the night and the day and how the night was better unless the day was very clean and cold and I could not tell it; as I cannot tell it now.
Reklam
Angel whispers: "Mournful night, attractive night. Your dark beauty obsesses me" Where Dead Angels Lie · Dissection m.youtube.com/watch?v=VKVMsBB...
Namárië
After the destruction of the Two Trees, and the flight from Valinor of the revolting Eldar, Varda lifted up her hands, in obedience to the decree of Manwe, and summoned up the dark shadows which engulfed the shores and the mountains and last of all the fana (figure) of Varda, with her hands turned eastward in rejection, standing in white upon Oiolosse
Sayfa 60 - English translation of the Elvish text in number 5Kitabı okudu
194 syf.
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John Barth is the most important postmodernist novelist and his works of art fiction and reality somehow is complicated. It becomes difficult to decide which one is real and which one is fiction. Blurring and uncertainty is so immense that sometimes it is problematic to understand what is happening and what is going on this story. In the story we
Lost in the Funhouse
Lost in the FunhouseJohn Barth · Bantam Books · 196917 okunma
639 syf.
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Comparison of The Knight’s Tale and The Miller’s Tale in Canterbury Tales
Medieval English Literature period was a period that included themes such as love, chivalry, betrayal, deception and many elements such as comic and tragic elements, social issues, and the dominance of religion. While writing Canterbury Tales, the most important work of medieval literature, Chaucer aimed to transfer different classes of society to
Canterbury Hikayeleri
Canterbury HikayeleriGeoffrey Chaucer · Yapı Kredi Yayınları · 2018450 okunma
Reklam
660 öğeden 321 ile 330 arasındakiler gösteriliyor.