Operadaki Hayalet

Gaston Leroux

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About

"Bir yandan korkun bir yandan umudun varsa iki kanatlı olursun, tek kanatla uçulmaz zaten." Mevlânâ Gotik edebiyatın en büyük eserlerinden Operadaki Hayalet’in tüylerimizi ürperten edebi çekiciliğinin nedeni, bir hayaleti değil vahşete dönüşen bir aşkı anlatıyor olması ve bunu yaparken okurları da tıpkı bir hayalet gibi hep arafta bırakması. Paris Operası’ndaki herkesi ürküten hayalet söylentisi, opera sanatçısı Christine Daae’nin kayboluşu ile büyük bir trajediye dönüşür... Operadaki Hayalet “gerçek” bir başyapıt. "Şunu bil ki, tepeden tırnağa ölümden yaratıldım ben... ve seni seven, sana tapan ve seni asla ama asla terk etmeyecek olan bu kişi aslında bir ceset!"
Translator:
Meriç Keleş
Meriç Keleş
Estimated Reading Time: 9 hrs. 38 min.Page Number: 340Publication Date: June 2018First Publication Date: 1909Publisher: DEX KitapOriginal Title: Le Fantôme de l'Opéra
ISBN: 9786050953114Country: TürkiyeLanguage: TürkçeFormat: Ciltli
Reklam

Book Statistics

Reader Profile of the Book

Kadın% 83.6
Erkek% 16.4
0-12 Yaş
13-17 Yaş
18-24 Yaş
25-34 Yaş
35-44 Yaş
45-54 Yaş
55-64 Yaş
65+ Yaş

About the Author

Gaston Leroux
Gaston LerouxYazar · 4 books
This text has been automatically translated from Turkish. Show Original
Gaston Leroux spent his school years writing novels inspired by the works of Aleandre Dumas and Itor Hugo. Leroux studied and worked in Law just to please his father. After his father's death, he left his job and started working as a reporter for several newspapers and traveling the world. Around this time, he began to publish several of his novels in serial form. He wrote his work The Phantom of the Opera (1910) out of interest in the Palais Garnier Opera House and said that the subject of this work was a real mysterious event. The Phantom of the Opera was later made into a musical by Andrew Lloyd Webber and adapted into films many times. He is also the author of novels such as The Mystery of the Yellow Room, which is considered one of the beginnings of detective fiction. With The Mystery of the Yellow Room, the style of locked room murder begins in detective novels, that is, the story of a murder committed in a room that is impossible to enter or exit, and eventually the murderer being caught by a detective or a clever amateur. In addition, due to his profession, he was forced to watch the executions of some criminals and publish them in the newspaper where he worked, and watching these executions affected him. This influence can also be seen in writing in his novels.