Operadaki Hayalet

Gaston Leroux

About Operadaki Hayalet

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About

“Operadaki Hayalet vardı.” Varlığı herkes tarafından bilinip korkuyla karşılan fakat kimsenin görmediği Hayalet, Paris Operası’nın karanlık mahzenlerinde yaşar. Operanın parlayan yıldızı güzel Christine, bir gün onun sesini duyar. Hayalet’i kendisinin Müzik Meleği olarak kabul eden sanatçı onun takıntılı ve tutkulu aşkıyla yüzleşince tehlikede olduğunu anlar. Hayalet’in maskeyle gizlemeye çalıştığı çirkinliğinden dolayı reddedilme korkusu ve kıskançlığı, Christine için büyük çıkmazlar yaratacaktır. Aşkın hem yıkıcı hem kurtarıcı yönünün okunduğu bu eserin kalbinde tutku, şiddet ve gerilim duruyor. Bugün dahi bu gerilim, yalnızca gotik renk tonuyla ilgi uyandıran bir hikâye değil, aynı zamanda coşkulu dramatizasyonun müthiş bir romantizmidir. 1910’da ilk kez ortaya çıkışından bu yana okuyucuları etkileyen Operadaki Hayalet ilham verdiği müzikal ve beyaz perde uyarlamalarıyla ölümsüzleştirilmiştir.
Translator:
Olcay Kunal
Olcay Kunal
Estimated Reading Time: 11 hrs. 30 min.Page Number: 406Publication Date: 2 October 2018First Publication Date: 1909Publisher: Alfa YayıneviOriginal Title: Le Fantôme de l'Opéra
ISBN: 9786051069524Country: TürkiyeLanguage: TürkçeFormat: Karton kapak
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Book Statistics

Reader Profile of the Book

Kadın% 83.6
Erkek% 16.4
0-12 Yaş
13-17 Yaş
18-24 Yaş
25-34 Yaş
35-44 Yaş
45-54 Yaş
55-64 Yaş
65+ Yaş

About the Author

Gaston Leroux
Gaston LerouxYazar · 4 books
This text has been automatically translated from Turkish. Show Original
Gaston Leroux spent his school years writing novels inspired by the works of Aleandre Dumas and Itor Hugo. Leroux studied and worked in Law just to please his father. After his father's death, he left his job and started working as a reporter for several newspapers and traveling the world. Around this time, he began to publish several of his novels in serial form. He wrote his work The Phantom of the Opera (1910) out of interest in the Palais Garnier Opera House and said that the subject of this work was a real mysterious event. The Phantom of the Opera was later made into a musical by Andrew Lloyd Webber and adapted into films many times. He is also the author of novels such as The Mystery of the Yellow Room, which is considered one of the beginnings of detective fiction. With The Mystery of the Yellow Room, the style of locked room murder begins in detective novels, that is, the story of a murder committed in a room that is impossible to enter or exit, and eventually the murderer being caught by a detective or a clever amateur. In addition, due to his profession, he was forced to watch the executions of some criminals and publish them in the newspaper where he worked, and watching these executions affected him. This influence can also be seen in writing in his novels.