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“Everything is going to be okay, Gigi.” Grayson came this close to calling her little sister, the way Nash liked to use little brother. “I promise.”
“Grayson gave her a quelling look meant to end this conversation, but she was Avery Grambs, and he was Grayson Hawthorne, and she’d never once been quelled by anything he’d thrown at her.”
“More valuable than secrets,” he continued. The ability to say nothing, to keep those secrets. Silence. “And this”—Jameson nodded toward the silver chest—“isn’t just a box. It’s a music box. The music plays, the ballerina turns. Except this time, no music. Silence.”
“Never announce what you’re not going to tell someone,” Grayson advised. “That keeps the focus on you and a bluff you may or may not be able to carry through. Focus on the other person.”
“They looked happy enough. Normal. There had been nothing normal about his own childhood.”
“But mostly, Grayson remembered the moment they’d lost control of the narrative—and the way he’d taken that control back.”
“I told your brothers you were fine,” she muttered. “I promised Grayson you weren’t spiraling. And Nash? He’s going to kill you—and me.”
“Libby won’t let him. Killing bad. Cupcakes good.”
“Grayson thought back to his conversation with Avery—Avery, whom he wanted to protect more than just about anyone else in the world.”
“Once you see that web of possibilities laid out in front of you, unencumbered by fear of pain or failure... What will you do with what you see?”
Tobias Hawthorne’s voice was quiet now. “When you’re old enough, when you’re ready, be warned: There is nothing frivolous about the way a Hawthorne man loves.”