Dinah Hazell Sözleri ve Alıntıları
Dinah Hazell sözleri ve alıntılarını, Dinah Hazell kitap alıntılarını, Dinah Hazell en etkileyici cümleleri ve paragragları 1000Kitap'ta bulabilirsiniz.Tolkien'in seçtiği isimleri karakterlerin özellikleriyle ilişkilendirmesi
While Tolkien often chose words for their sound, a close look at many of them suggests that meaning had more influence than might be suspected or claimed.
For example, names he gave to his dwarves from the Elder Edda, when translated from the Old Norse, fit their owners' characteristics quite well. Thrain is translated as Yearner, descriptive of a dwarf who is restless and greedy for gold; Gloin (ON Gleamer) is chief firemaker, with his brother, of the dwarves; Thror (Thrive) is head of the dwarf dynasty; Thorin (Darer) leads the dwarves into battle; Durin (Doorward) holds the secret to entering Moria; and Bombur (Tubby) needs no explanation.
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But Tolkien loved trees and felt a strong connection to them; at age seventy-one, he likened his feelings to "an old tree that is losing all its leaves one by one."
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The most impressive trees or, more properly, treelike creatures, are the Ents, among the most naturally powerful and dangerous beings on Middle-earth. They, like many other characters and events, were not consciously created; Tolkein says in Letter 163 that Treebeard's chapter was written much as it stands, almost as if someone else wrote it.
However, he is very clear on the source of his inspiration: the Anglo-Saxon poem "The Wanderer".
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Regardless of status or placement in the language hierarchy of Middle-earth, everyone has potential for good or evil, wisdom or folly, and must face temptation and make choices. Even Saruman is given a chance to reform, which leads us to Isengard.
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The writer of fantasy, the sub-creator, "hopes that he is drawing on reality" and that "the peculiar quality of this secondary world (if not all the details) are derived from Reality or flowing into it."
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Rather than inventing an alien world into which human and familiar characters are introduced, as in science fiction, Tolkien created a natural environment that is also home to "supernatural" beings and elements, as in medieval works like Beowulf.
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The concepts of renewal and recovery imply loss and change; not all losses can be restored, and some things can never be the same. Nor should they be. Some wounds, like Frodo's, can never be fully healed, and we all bear marks, for good or ill, from our experiences
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...consistent chronology is an important unifying element in the multistranded narrative of the Lord of the Rings, and Tolkien kept complex maps and calendars as he wrote to track events and the movements of the characters.
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The Lord of the Rings is far too complex to be reduced to a simple tale of good versus evil, but one of the questions that must be asked is whether it is ultimately optimistic or pessimistic.
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Rivendell has the feel of summer in autumn, and the beauty of Lorien in winter fills the heart so that there is no longing for spring or summer.
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