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‘Phenomenology’ is a term adopted from philosophy, where it describes ‘structures of consciousness as experienced from the first-person point of view’. ‘Affect’ is a term adopted from psychology, where it describes ‘emotion or subjectively experienced feeling’. In many literary studies that employ these terms, though, it is unclear why one could not just use the more straightforward
‘(description of) experience’ and ‘feeling’/‘emotion’, respectively. Often
when coming across a formulation like ‘the phenomenology of affective
states’ in literary scholarship, I wonder what is gained by using such a
phrase rather than asking more straightforwardly ‘how it feels to experience
emotions’.
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“Does my darkness frighten you, Callie?” his deep voice whispered mockingly, and mischief sparkled like a fire in his eyes.
“No,” I stated, lifting my chin. “You haven’t even seen mine yet.”
“Do you know how many Fae have the ability to impel? To seep into your mind and melt it as they wish?” He paused for a moment, then continued when no answer came. “Two.” His eyes flashed wickedly. “And I killed the other.”
Say “yes” to life and see how life suddenly starts working for you rather than against you.
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I looked away, not wanting to give him the satisfaction of seeing the fear that filled my eyes.