A Secret Vice Gönderileri
A Secret Vice kitaplarını, A Secret Vice sözleri ve alıntılarını, A Secret Vice yazarlarını, A Secret Vice yorumları ve incelemelerini 1000Kitap'ta bulabilirsiniz.Temmuz ayı özet
Yaz okulu başladığı için kitaplarla istediğim gibi haşır neşir olamıyorum. Eylül ayına kadar böyle devam edecek gibi görünüyor. Dersler kapsamında okumak için birkaç kitap edindim, ağustos ayı daha akademik geçecek sanırım. Haziran ayında 9 kitap okumuşum, temmuzda durum şöyle.
1) 
Oidipus Kolonos’ta
2) 
Antigone
3) 
Sahibinin Sesi Sevgili 
Adem'nin okuma etkinliği sayesinde bu yazarla tanışma fırsatı buldum.
4) 
A Secret Vice
5) 
Mit ve Anlam
6) 
Genel Dilbilim Dersleri
7) 
Yunan Mitleri
8) 
Mitlerin Kısa Tarihi
9) 
Şiddetin Normalleştirilme Süreci
10) 
Cinsel Şiddet
11) 
Hobbit ve Felsefe
12) 
Yunanlılar Mitlerine İnanmışlar Mıydı?
9 ve 10 numaralı kitabı da yine Adem'nin İstanbul Sözleşmesi Yaşatır okuma etkinliği #80024404 sayesinde okudum. Aynı etkinlik sayesinde bahsi geçen sözleşmeyi de okudum (daha önce okumalıydım, evet) ve buna vesile olduğu için kendisine teşekkür etmek istiyorum. Çok kaliteli bir okur olduğunu düşünüyorum, bence takip etmelisiniz.
Not: Bu iletiyi sadece kendim için paylaşıyorum.
Okuduklarıma dair bilgi&fikir edinmek isteyenler için mesaj yoluyla ulaşılabilir konumdayım. Ağustos ayının daha dolu geçeceğini umuyorum. Hepinize keyifli okumalar.
Sembolizmin, dilin yaratılış sürecine etkisi üzerine:
...and it is an assumption because no recording philologist was present at the birth of language or of any language other than 'artificial international languages' which {are} only a special product of the natural, as a pollard willow is to a wild tree...
Sayfa 131Kitabı okudu
"It was just as the 1914 War burst on me that I made the discovery that 'legends' depend on the language to which they belong; but a living language depends equally on the 'legends' which it conveys by tradition. (For example, that the Greek mythology depends far more on the marvellous aesthetic of its language and so of its nomenclature of persons and places and less on its content than people realize, though of course it depends on both. And vice versa. Volapük, Esperanto, Ido, Novial, etc. etc. are dead, far deader that ancient unused languages, because their authors never invented any Esperanto legends.) So though being a philologist by nature and trade (yet one always primarily interested in the aesthetic rather than the functional aspects of language) I began with language, I found myself involved in inventing 'legends' of the same 'taste'."
Sayfa 47 - introduction - xlviiKitabı okudu
Tolkien also wrote poems for his children during that period. By 1931, a doll owned by his children had inspired him to start writing poems and, interestingly, construct a small piece of prose, about the whimsical character Tom Bombadil.
Sayfa 40 - introduction - xlKitabı okudu
Mordor ve Moria'nın kelime kökeni
Tolkien was not only interested in inventing pleasing sounds and fitting meanings for individual words; he created groups of related words that displayed a shared sound aesthetic and related morphological meaning. An example of this can be seen in the Qenya base root MORO, which itself through primary world word-association suggests a feeling of literal or metaphorical 'darkness' (e.g. by evoking words of Indo-European languages such as 'murder', 'murky', 'morte' etc.) Tolkien used this root to construct a series of words directly and indirectly related to concepts of darkness and, by extension, the night and hidden things.
(...)
This particular base root would persist in his language invention and was used to form the names of two very dark places in The Lord of the Rings: Moria ('Black Chasm') and Mordor ('Land of Darkness')
Sayfa 24 - introduction - xxivKitabı okudu
Tolkien
Gnomish* was associated with the Lost Tales narrative of the exiled Elves, the Gnomes or Noldoli, who left Valinor and wandered in the Great Lands. To phonetically reflect this sense of exile in Gnomish, Tolkien chose to have this language resemble the sounds of Welsh, a language spoken by an exiled people who had been forced out of their lands by the Anglo-Saxons and made to live as the wealas (the Old English word for 'foreigners' and the origin of the name Wlesh) in their own lands.
Sayfa 19 - introduction - xixKitabı okudu
Tolkien states that he considers poetry to be the 'final fruition' of language development.
Sayfa 17 - introduction - xviiKitabı okudu
Tolkien's drafts for this lecture (the Andrew Lang lecture) reiterate the centrality of myth and language in his legendarium: 'Mythology is language and language is mythology. The mind, and the tongue, and the tale are coeval'
Sayfa 12 - introduction - xiiKitabı okudu
...he wrote to his son, Christoper, that LOTR was an attempt to 'create a world in which a form of language agreeable to my personal aesthetic might seem real'
Sayfa 12 - introduction - xiiKitabı okudu