Medya Gösterisi
Douglas KellnerMedya Gösterisi Gönderileri
Medya Gösterisi kitaplarını, Medya Gösterisi sözleri ve alıntılarını, Medya Gösterisi yazarlarını, Medya Gösterisi yorumları ve incelemelerini 1000Kitap'ta bulabilirsiniz.
Ünlüler; medya kültürünün sembolleri, günlük hayatın tanrı ve tanrıçalaridir.
Sayfa 25
Medya
Neil Gabler'a göre, medya gösterisi çağında, hayatın kendisi bir filim haline gelmiştir ve biz kendimize filim tadında ya da televizyonun çerçevesinde hayatlar kuruyoruz; kimi zaman performans sergilemesi beklenen bir oyuncu kılığına giriyoruz, kimi zaman ise büyük, sürekli bir gösterisinin seyircileri oluyoruz
Sayfa 26 - Açılım Kitap
The social construction of reality is generated in part through symbolic interaction between life experience and appropriation of media culture. This is, of course, a dialectical process by which personal experience is mediated, articulated, and focused by media culture, but in which interpretations and uses of the media are constructed by individuals in real-life situations.
Sayfa 103Kitabı okudu
As Baudrillard (1983b; 1993) argues, media “reality” is a “hyperreality,” a world of artificially constructed experience that is “realer than real,” that purifies the banality of everyday life to create an exciting world of mass mediated, technologically processed experience that is often far more involving and intense than ordinary life.
Sayfa 102Kitabı okudu
The Simpson affair was also a class spectacle, which revealed that money could buy the best lawyers and technical experts and ultimately an acquittal. If commodity logic saturates everything, truth can be bartered and justice bought. The trial put on display the privileges of wealth, as it portrayed the affluent lifestyles of Simpson, Nicole, and their social circles. Indeed, part of the seduction of the trial was the fascination with class and wealth in a hypercapitalist society. The entire megaspectacle spawned a proliferation of books, articles, TV tabloid exposés, and other artifacts that displayed the opulence of upper-class life and intimate details of the affluence and decadence of the Simpson circles.
Sayfa 98 - O. J. Simpson murder caseKitabı okudu
Seeing culture and society as a field of contestation with forces of domination and resistance, repression and struggle, co-optation and upheaval, provides a more dynamic model than that of certain forms of Marxism or feminism that primarily see the dominant culture as one of domination and oppression, or of populist cultural studies that excessively valorizes resistance, overlooking the moments of domination. By contrast, envisioning society and culture as contested terrains articulates the openings and possibilities for social transformation, and the potentials for resistance and struggle, as well as providing a critique of ideology and domination.
Sayfa 29Kitabı okudu
While some critics talk incessantly about cultural studies as a historical phenomenon, or endlessly debate the method and concepts of cultural studies, I do cultural studies through dissection of the production of texts, textual analysis of its meanings, and study of their effects and resonance, deploying a multiperspectivist approach.
Sayfa 29Kitabı okudu
...the concept of “postindustrial” society is highly problematic. The concept is negative and empty, failing to articulate positively what distinguishes the alleged new stage. Hence, the discourse of the “post” can occlude the connections between industrial, manufacturing, and emergent hi-tech industries and the strong continuities between the previous and present forms of social organization, as well as covering over the continued importance of manufacturing and industry for much of the world.
Sayfa 12Kitabı okudu
Popular music is also colonized by the spectacle, with music-video television (MTV) becoming a major purveyor of music, bringing spectacle into the core of musical production and distribution. Madonna and Michael Jackson would never have become global superstars of popular music without the spectacular production values of their music videos and concert extravaganzas.
Sayfa 8Kitabı okudu
For Neil Gabler, in an era of media spectacle, life itself is becoming like a movie and we create our own lives as a genre like film, or television, in which we become “at once performance artists in, and audiences for, a grand, ongoing show”.
Sayfa 4Kitabı okudu
Capitalist society separates workers from the products of their labor, art from life, and consumption from human needs and self-directing activity, as individuals inertly observe the spectacles of social life from within the privacy of their homes.
Sayfa 3Kitabı okudu