Bernini - Leonardo Da Vinci
One more: Bernini's sculpture of David is a groundbreaking exploration of intense psychological states, such as the anger seen here. The eyebrows are deeply furrowed and he tightly bites his lower lip.
Some experts also suggest that the sculptor was influenced by Leonardo da Vinci's writings on movement. In his Treatise on Painting, Da Vinci addresses precisely the challenge of rendering a figure in mid-throw. It's plausible that Bernini incorporated this theoretical insight into his rendition of David.
“If you represent him beginning the motion, then the inner side of the outstretched foot will be in line with the chest, and will bring the opposite shoulder over the foot on which his weight rests. That is: the right foot will be under his weight, and the left shoulder will be above the tip of the right foot.” — Leonardo Da Vinci
Leonardo da Vinci
Then said I in my heart, As it happens to the fool, so it will happen even to me. And of what use is it then for me to be more wise? Then I said in my heart, This also is vanity (emptiness, vainglory, and futility)!
For of the wise man, the same as of the fool, there is no permanent remembrance, since in the days to come all will be long forgotten. And how does the wise man die? Even as the fool!
Ingmar Bergman
"I understand, all right. The hopeless dream of being - not seeming, but being. At every waking moment, alert. The gulf between what you are with others and what you are alone. The vertigo and the constant hunger to be exposed, to be seen through, perhaps even wiped out. Every inflection and every gesture a lie, every smile a grimace.
The ending process of the story ended like this, the first scenes of the movie were very nice, then I knew that everything could never be the same as before, when it ended, that movie could never be revived again, it was such a bad pain, I know there would never be good days again...🪐💫
And if I may just take yout breath away
I don’t mind if there’s not much to say
Sometimes the silence guides our minds
So move to a place so far away
The goosebumps start to raise
The minute that my left hand meets your waist
And then I watch your face
Hayır, birşey söyleme. Özür dileme ya da başka birşey yapma. Ben, ben her iyi oluyorum dediğim sefer kapımda beliriyorsun. Seni bir daha görmeyeceğimi düşündüğüm her seferinde, sürekli bunu yapıp duruyorsun. Ben seni unutmaya çalışıyorum. Peki ya sen ne yapmaya çalışıyorsun? Bizden ne istiyorsun Dean?
***
No, don't. Don't apologize or anything. It's just, it's just I get to this place -where I'm okay- and then you show up at my door. You keep doing that. Every time I think I'm gonna never see you again. I'm trying to get over you. What are you trying to do? What do you want from us Dean?
Supernatural
You can't say you hate me, then call me when you're hurt
Baby, you know that's not how this works, no
The tension!
The way she's challenging him is starting to get him all hot and bothered... she's literally in his lap. On his lap, challenging him, mocking him as he just sits there and takes it.
It takes every goddamn bit of willpower he has to not flip her on her back and just ravish her right here and now.
"And I don't care," he says, each word dripping with anger. "I wanted you then, and I want you now. You're mine, mine completely from this moment onwards..."
she squints her eyes
"And if I refuse again?"
He leans forward and gets close enough to her that he's just inches away from her face.
Just looking into her eyes is making him crazy, she's not even backing down even though he's threatening her.
"I'll drag you to my room, and I'll take what's mine anyways..."