Elizabeth Solopova Gönderileri
Elizabeth Solopova kitaplarını, Elizabeth Solopova sözleri ve alıntılarını, Elizabeth Solopova yazarlarını, Elizabeth Solopova yorumları ve incelemelerini 1000Kitap'ta bulabilirsiniz.
The term 'the problem of evil' applies to philosophical debates about the origin of evil, its nature, its role in the world and what should be one's response to it. The answer to these questions, (...), is that evil is the absence of perversion of good. It does not exist and cannot be defined independently of good.
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'Mind must be harder, spirit must be bolder,
And heart the greater, as our might grows less'
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Tolkien admired courage and perseverance in the face of defeat, but he had no respect for arrogance and repeatedly pointed out its price.
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Seamus Heaney'in Beowulf çevirisinden:
the old dawn-scorching serpent's den
packed with goblets and vessels from the past,
tarnished and corroding. Rusty helmets
all eaten away.
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Beowulf
Many features of Bilbo's adventures in The Hobbit, such as his title 'thief', the episodes with the stolen cup, the path under the mountain, leading into the dragon's layer, Smaug's personality, his rage and the destruction of a nearby town, are all examples of plot elements which appear in Beowulf.
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Beowulf'un 'poetry' olarak sahip olduğu önemde Tolkien'in etkisi:
One of Tolkien's most important contributions to the study of Beowulf was his insistence that it should be appreciated as literature. In his famous lecture 'Beowulf: The Monsters and the Critics' he criticized scholars for approaching Beowulf as a historical or linguistic document, rather than as a poem. He insisted that Beowulf was poetry, and should be appreciated as such.
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Eucatastrophe kelimesini ilk Tolkien kullanmıştır... açıklama yorumda:
He argued that the 'joy' offered by successful fantasy can be explained as a 'sudden glimpse of the underlying reality or truth', and that in eucatastrophe we see a glimpse of 'evangelium in the real world'.
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Middle-Earth'ün Midgard'dan geliyor oluşu...
Scandinavian mythology inspired many of Tolkien's artistic and philosophical ideas. The very word Middle-Earth is an adaptation of Old Norse miðgarðr (Old English middangeard), which means something like 'middle-enclosure' (the second part of the word is what became 'yard' in Modern English).
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The idea that a name is capable of communicating information about its owner, appears repeatedly in Tolkien's works. Many of his characters attach great importance to names and treat them as something intimately connected with their owner.
Treebeard refuses to tell his real name to Merry and Pippin, explainin that 'real names' tell 'the story of the things they belong to' in his language.
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Tom Shippey, The Road to Middle Earth kitabından:
Shippey drew attention to Tolkien's extensive use of place and personal names, particularly in LOTR. He pointed out that whereas The Hobbit has some 40 or 50 names, 'the indices of The Lord of the Rings list over 600 names of "Persons, Beasts and Monsters", almost as many places, with a couple of hundred unclassifiable but named objects'.
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