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Hotel Chelsea
In the end, we wre more alike than not, and gravitated toward each other, however wide the breach.
Hotel Chelsea
I was working real hard To show the world what I could do Oh I guess I never dreamed I'd have to
Reklam
Hotel Chelsea
I felt, as always, a rising pleasure when he used a reference to me in a work, as if through him I would be remembered.
Hotel Chelsea
Just the idea that you could got to the ocean via subway was so magical.
Hotel Chelsea
"Nobody sees as we do, Patti," he said again. Whenever he said things like that, for a magical space of time, it was if we were the only two people in the world.
Reklam
Hotel Chelsea
Everybody passing through here is somebody, if nobody in the outside.
Chelsea Hotel #2
We were running for the money and the flesh And that was called love for the workers in song
Sayfa 124 - "Para ve şehvet peşinde koşardık durmadan / Adına da aşk derdik bunun, biz şarkı işçileri"
Suzanne aynasında ne göstermişti Cohen'e? Montreal'li orta sınıf Yahudi bir ailenin entelektüel çocuğu, gitar çalar, şarkı söyler, şiir yazar, "yakışıklı değil çirkindir, ama müziği vardır" (bu son bilgiler için bkz. Ek 1: Chelsea Hotel #2). Cohen bunları biliyordu mutlaka, onun aynada gördükleri çöpler ve çiçeklerdi, dipteki yosunlar arasındaki ölü kahramanlar ve sevgiye susamış çocuklardı.