After the Dark
Haruki MurakamiAfter the Dark Sözleri ve Alıntıları
After the Dark sözleri ve alıntılarını, After the Dark kitap alıntılarını, After the Dark en etkileyici cümleleri ve paragragları 1000Kitap'ta bulabilirsiniz.
The crescent moon takes the form of a silent white monolith, a long-lost message floating in the western sky. […] Chilly shadows still lie over many streets sandwiched between tall buildings. Most of last night’s memories remain there untouched.
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Each of those under transport is a human being with a different face and mind, and at the same time each is a nameless part of the collective entity. Each is simultaneously a self-contained whole and a mere part.
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[…] people’s memories are maybe the fuel they burn to stay alive.
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All we have to do is separate from the flesh, leave all substance behind, and allow ourselves to become a conceptual point of view devoid of mass. With that accomplished, we can pass through any wall, leap over any abyss.
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The brightness outside the window is increasing with great speed. Vivid streaks of light stream into the room through gaps in the blind. The old temporality is losing its effectiveness and moving into the background. Many people go on mumbling the old words, but in the light of the newly revealed sun, the meanings of words are shifting rapidly and are being renewed. Even supposing that most of the new meanings are temporary things that will persist only through sundown that day, we will be spending time and moving forward with them.
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With her eyes closed, sleep comes for her, enveloping her like a great, soft wave from the open sea.
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In this world, there are things you can only do alone, and things you can only do with somebody else.
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The meaning of her physical self is eroding.
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I’m sitting there thinking, What could have happened to Eri Asai?
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If dying meant being shut up alone inside a vacant room in an isolated office building, it was too utterly lacking any hope of salvation.
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Between the time the last train leaves and the first train arrives, the place changes: it’s not the same as in daytime.
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But maybe—just maybe—if we start getting together and talking, after a while something like Francis Lai's soundtrack music will start playing in the background, and a whole slew of concrete reasons why I'm interested in you will line up out of nowhere. With luck, it might even snow for us.
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All information gives way to nothingness, all sense of place is withdrawn, all meaning is dismantled, and the two worlds are divided, leaving behind a silence lacking all sensation.
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Even at a time like this, the street is bright enough and filled with people coming and going—people with places to go and people with no place to go; people with a purpose and people with no purpose; people trying to hold time back and people trying to urge it forward.
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"What makes the mask truly eerie is that even though it fits the face like a second skin, it prevents us from even imagining (if anything) the person within is thinking, feeling or planning. Is the man's presence a good thing? A bad thing? Are his thoughts straight? Twisted? Is the mask meant to hide him? Protect him? We have no clue."
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