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Briar Rose

Robert Coover

Briar Rose Gönderileri

Briar Rose kitaplarını, Briar Rose sözleri ve alıntılarını, Briar Rose yazarlarını, Briar Rose yorumları ve incelemelerini 1000Kitap'ta bulabilirsiniz.
Yes, yes, that's right, my prince! And now, tenderly if you can, toothily if need be, take this spindled pain away…
Sometimes, he says, gazing at her tenderly as if indeed he might know her or have known her once upon a time, I feel the reason I never escaped the briars was that, in the end, I loved them, or at least I needed them. Let's say, he adds with a curling smile, licking at the blood at the corners of his lips, they grew on me…
Reklam
He imagines the delirium of their union, the celebrations and consequent flowering of the moribund kingdom, the offspring that would follow, the joys thereof, the pains, the Kingship, the Queenship, her obligations, his, the days following upon days, the exhaustion of the "inexhaustible fountain of their passion," the disappointments and frustrations and betrayals, the tedium, the doubts (was it really she after all? was it really he?), the disfigurements of time, the draining away of meaning and memory, the ensuing silences, the death of dreams; and, enrobed in pain, willfully nameless, yet in his own way striving still, he slips back into the briars' embrace.
What is happily ever after, after all, but a fall into the ordinary, into human weakness, gathering despair, a fall into death?
And now, what if no one ever reaches her, what if she goes on dreaming in there forever, what sort of a life would that be, so strangely timeless and insubstantial? Yet, is it really any different from the life he himself has until now led, driven by his dream of vocation and heroic endeavor and bewitched by desire? Ah, the beautiful: what a deadly illusion! Yet, still he is drawn to it.
You are this window, webbed in spellbinding death, this unvisited corridor, that hidden spiral staircase to the forbidden tower, the secret room at the top where pain begins. You are all things dangerous and inviolate. You are she who has renounced the natural functions, she who invades the dreams of the innocent, she who harbors wild forces and so defines and provokes the heroic, and yet you are the magical bride, of all good the bell and flower, she through whom all glory is to be won, love known, the root out of which all need germinates.
Reklam
None remembered of course, no memory of her dreams at all, each forgotten in the very dreaming of them as though to dream them were to erase them. And yet, so often have her dreams revisited fragments and images of dreams dreamt before, a sort of recognizable architecture has grown up around them, such that, though each dream is, must be, intrinsically unique, there is an ambient familiarity about them all that consoles her as memory might, did she know it, and somewhat teaches her whereto to flee when terror engulfs her like a sudden wicked spell.
THERE IS THIS TO BE SAID FOR THE STABBING PAIN OF THE spindle prick. It anchors her, locates a self when all else in sleep unbinds and scatters it. When a passing prince asks who she is, she replies simply, having no reply other to offer, I am that hurts.
He imagines her as not unlike this soft dew-bedampened wall he is plunging through, silky and fragrant and voluptuously receptive. If she is the symbolic object of his quest, her awakening is not without its promise of passing pleasures. She is said, after all, to be the most beautiful creature in the world, both fair and good, musically gifted, delicate, virtuous and graceful and with the gentle disposition of an angel, and, for all her hundred years and more, still a child, innocent and yielding. Achingly desirable. And desiring. Of course, she is also the daughter of a mother embraced by a frog, and there has been talk about ogres in the family, dominion by sorcery, and congress with witches and wizards and other powers too dark to name. If there be any truth in these century-old rumors from benighted times, this adventure could end, not in love's sweet delirium, but in its pain, its infamous cruelty. This prospect, however, does not dissuade him. On the contrary. It incites him.
SHE DREAMS, AS SHE HAS OFTEN DREAMT, OF ABANDONMENT and betrayal, of lost hope, of the self gone astray from the body, the body forsaking the unlikely self. She feels like a once-proud castle whose walls have collapsed, her halls and towers invaded, not by marauding armies, but by humbler creatures, bats, birds, cats, cattle, her departed self an unkempt army marauding elsewhere in a scatter of confused intentions. Her longing for integrity is, in her spellbound innocence, all she knows of rage and lust, but this longing is itself fragmented and wayward, felt not so much as a monstrous gnawing at the core as more like the restless scurry of vermin in the rubble of her remote defenses, long since fallen and benumbed. What, if anything, can make her whole again? And what is "whole"? Her parents, as always in her dreams, have vanished, gone off to death or the continent or perhaps to one of their houses of pleasure, and she is being stabbed again and again by the treacherous spindle, impregnated with a despair from which, for all her fury, she cannot awaken.