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Drive Your Plow Over the Bones of Dead

Olga Tokarczuk

En Eski Drive Your Plow Over the Bones of Dead Sözleri ve Alıntıları

En Eski Drive Your Plow Over the Bones of Dead sözleri ve alıntılarını, en eski Drive Your Plow Over the Bones of Dead kitap alıntılarını, etkileyici sözleri 1000Kitap'ta bulabilirsiniz.
It is in the feet that all knowledge of Mankind lies hidden; the body sends them a weighty sense of who we really are and how we relate to the earth. It’s in the touch of the earth, at its point of contact with the body that the whole mystery is located—the fact that we’re built of elements of matter, while also being alien to it, separated from it. The feet—those are our plugs into the socket.
[…] as if the spirit were pleased to be finally free of the matter, and the matter were pleased to be finally free of the spirit.
Reklam
As I slowly became aware of what had happened here, I was gradually filled with Horror. He had caught the Deer in a snare, killed her, then butchered, roasted and eaten her body. One Creature had devoured another, in the silence and stillness of the Night. Nobody had protested, no thunderbolt had struck. And yet Punishment had come upon the devil, though no one's hand had guided death.
That’s what our houses are for—to protect us from the sky, otherwise it would pervade the very inside of our bodies, where, like a little ball of glass, our Soul is sitting.
It’s hard work talking to some people, most often males. I have a Theory about it. With age, many men come down with testosterone autism, the symptoms of which are a gradual decline in social intelligence and capacity for interpersonal communication, as well as a reduced ability to formulate thoughts. The Person beset by this Ailment becomes taciturn and appears to be lost in contemplation. He develops an interest in various Tools and machinery, and he's drawn to the Second World War and the biographies of famous people, mainly politicians and villains. His capacity to read novels almost entirely vanishes; testosterone autism disturbs the character's psychological understanding.
Sometimes I feel as if we’re living inside a tomb, a large, spacious one for lots of people. I looked at the world wreathed in gray Murk, cold and nasty. The prison is not outside, but inside each of us. Perhaps we simply don’t know how to live without it.
Reklam
As I gazed at the black-and-white landscape of the Plateau I realized that sorrow is an important word for defining the world. It lies at the foundations of everything, it is the fifth element, the quintessence.
In a way, people like her, those who wield a pen, can be dangerous. At once a suspicion of fakery springs to mind—that such a Person is not him- or herself, but an eye that’s constantly watching, and whatever it sees it changes into sentences; in the process it strips reality of its most essential quality—its inexpressibility.
There's a flaw in my character that obscures the image of the distribution of the planets. I look at them through my fear, and despite the semblance of cheerfulness that people naively and ingenuously ascribe to me, I see everything as if in a dark mirror, as if through smoked glass. I view the world in the same way as others look at the Sun in eclipse. Thus I see the Earth in eclipse. I see us moving about blindly in eternal Gloom, like May bugs trapped in a box by a cruel child. It's easy to harm and injure us, to smash up our intricately assembled, bizarre existence. I interpret everything as abnormal, terrible and threatening. I see nothing but Catastrophes. But as the Fall is the beginning, can we possibly fall even lower?
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