İnsan Fotoğrafı Çekmek İçin Bu Kİtabı Okuyun
Henry CarrollSözler ve Alıntılar
İnsanların fotoğraflarını çekmeyin.
İnsanlar hakkında fotoğraf çekin..
Sayfa 6 - Remzi kitabeviKitabı okudu
Bakış
Oysa fotoğrafçının kişiye belirli bir şekilde poz verdirdiği fotograflar çok farklıdır. Fotoğrafı çekilen kişiler, fotoğrafın çekilmesi sürecine ortak olur. Onları oldukları gibi değil, fotograflarını çektirdikleri an daki gibi görürüz.
Sayfa 43Kitabı okudu
Framing is mostly used as a technique to isolate a subject within a wider composition. But if you look at Hetherington’s photograph, you’ll see that there is no singular subject. The beauty comes from the composition as a whole and the oscillation between the foreground and background. Two opposing states, one symbolizing death and the other life.
Sayfa 16
Composition. It’s all about finding order in what might initially seem like chaos. It’s about filtering information with your eyes. It’s about simplifying what you see and distilling everything down into a single, coherent frame.
Sayfa 10 - but classic compositional techniques like leading lines, foreground interest, symmetry and the rule of thirds.
Many photographers create their own landscapes.
Bkz: Bodyscape: Tongue from the series ‘Orogenesis’ Joan Fontcuberta 2003, üşendim.
At night the city is transformed into a stage.
In cities after dark, street lamps, illuminated doorways and car headlights act like stage lighting. Generally, the quality of light is hard and directional, which creates bright highlights and dark shadows. Add some evening mist and rain-soaked streets and you’ve got yourself a million-dollar film set.
If you’re interested in architecture, use a tripod and a low ISO. If you’re on the lookout for people, travel light and increase your ISO so you can handhold your camera. Flash? Forget it. Let the ambient light do all the work.
şehir perisi.
It’s the tourists themselves who make landmarks worth visiting.
Rather than making a landmark the subject of your picture, use it as a backdrop and focus your attention on everything else that’s going on. That’s where you’ll find your pictures. And behind the humour you’ll unearth deeper questions. Why do we travel? What do we expect to find? When did we lose our connection to history and nature?