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Er bir khalqnın oz tili bar
Yaresinen sırdashqan,
Baldan tatlı o til onga, bir vaqit mitilmay.
Menim tuwgan khalqimnin da
Öz tili bar cirlashqan,
Min bir ci'ldi'z arasi'nda
Bu til' meni beshigimde
Ayneninen osturgen,
Yashli'ghi'mdan yetekley o
Tuti'p menim qolumdan...
Crimean Tatars benefit in this respect from a small but active circle of writers, poets, composers, and other creative artists, men and women who have found that eloquence. Rather than conventionally idealize, they visualize their community and place in phrases and images that reaffirm them aesthetically in the minds and hearts of their audience.
Mongol hegemony over Crimea in the thirteenth century made that sort of etymology seem plausible. It did not explain whether the use of the term Tatar in this context referred to the of Crimea's Tatars or to the Mongolian of Chinggis Khan and his commanders and descendants, whom Russians commonly called Tatars.
Crimea, Crimea, Mother Crimea,
We did not forget our name.
We did not, Mother Crimea,
Exchange our isle for another's.
Decades of enduring an often harsh Central Asian exile have marked Crimean Tatars as surely as other previous, recent experiences. Nevertheless, the poetry and art publicly circulated usually accents a positive vision.
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