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Painting the entire tree in one color and adding another color in the center while the first remains wet creates a dark center and a glowing outer edge.
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Drawing hands
Before trying to capture the variety of shades and colors found in skin tones, practice using one color or a mixture of colors. This allows you to focus on building up a range of values without being distracted by color possibilities.
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It is often best to start with the objects in the distance and continue to move closer. To create the illusion of distance, work from light to dark.
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A synthetic flat brush creates a stroke with less texture. Water drips off the brush with less consistency than from a natural brush, which results in the brushstrokes randomly dispersing more or less pigment. With a natural-hair flat brush, the texture of the bristles is evident, and the pigment is released more uniformly.
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The farther away an object is, the more it can share the same color as the sky.
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Before adding pigment to certain areas like inside the leaves, partially wet those spots so the colors mix naturally.
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If any areas look too dark, brush clean water on them, and use paper towel to remove pigment. The natural flow of pigment into water creates interesting, pleasing, and irregular textures and shapes.
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Mix colors like "sepia" and "indigo" to create a rich black.
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Adding land gives the eye something to gravitate toward. Distant items should be less detailed and can take on some of the sky's colors.
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Watercolor often works best for creating impressions instead of capturing all of the details that a photograph might.
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