Maury Aaseng Gönderileri
Maury Aaseng kitaplarını, Maury Aaseng sözleri ve alıntılarını, Maury Aaseng yazarlarını, Maury Aaseng yorumları ve incelemelerini 1000Kitap'ta bulabilirsiniz.
If any areas look too dark, brush clean water on them, and use paper towel to remove pigment. The natural flow of pigment into water creates interesting, pleasing, and irregular textures and shapes.
Sayfa 93 - e-kitapKitabı okudu
Mix colors like "sepia" and "indigo" to create a rich black.
Sayfa 91 - e-kitapKitabı okudu
Drawing hands
Before trying to capture the variety of shades and colors found in skin tones, practice using one color or a mixture of colors. This allows you to focus on building up a range of values without being distracted by color possibilities.
Sayfa 85 - e-kitapKitabı okudu
Watercolor often works best for creating impressions instead of capturing all of the details that a photograph might.
Sayfa 73 - e-kitapKitabı okudu
Adding land gives the eye something to gravitate toward. Distant items should be less detailed and can take on some of the sky's colors.
Sayfa 65 - e-kitapKitabı okudu
It is often best to start with the objects in the distance and continue to move closer. To create the illusion of distance, work from light to dark.
Sayfa 63 - e-kitapKitabı okudu
The farther away an object is, the more it can share the same color as the sky.
Sayfa 62 - e-kitapKitabı okudu
Painting the entire tree in one color and adding another color in the center while the first remains wet creates a dark center and a glowing outer edge.
Sayfa 52 - e-kitapKitabı okudu
Determine the light direction before adding highlights or shadows to a painting.
Sayfa 50Kitabı okudu
Before adding pigment to certain areas like inside the leaves, partially wet those spots so the colors mix naturally.
Sayfa 45 - e-kitapKitabı okudu
Positive & Negative Space
Positive space painting involves painting the form of the object or subject matter, and negative space painting means painting the area surrounding the form or subject matter.
Sayfa 33Kitabı okudu
When you add salt to a painting, it bleaches the paint by drawing the pigment toward the crystals, producing feathered, naturalistic textures. Add salt when the page remains wet but not dripping.
Sayfa 30Kitabı okudu
A synthetic flat brush creates a stroke with less texture. Water drips off the brush with less consistency than from a natural brush, which results in the brushstrokes randomly dispersing more or less pigment. With a natural-hair flat brush, the texture of the bristles is evident, and the pigment is released more uniformly.
Sayfa 9Kitabı okudu