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Sheila Jeffreys

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Sheila Jeffreys, Birleşik Krallık'ta cinsellik tarihi ve politikası incelemeleriyle tanınan lezbiyen feminist, akademisyen ve etkincidir. Avustralya'da bulunan Melbourne Üniversitesi'nde öğretim üyesidir.
Unvan:
Akademisyen, Yazar
Doğum:
13 Mayıs 1948

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Tümünü Gör
One of the great powers of feminism is that it goes so far in making the experiences and lives of women intelligible. Trying to make sense of one's own feelings, motivations, desires, ambitions,actions and reactions without taking into account the forces which maintain the subordination of women to men is like trying to explain why a marble stops rolling without taking friction into account.
The pornographizing of fashion photography in its most extreme forms may not have much effect on what women wear since not many will choose to be half-naked in their social or professional lives. However, there are ways in which it has a negative impact on women in general. It popularizes the ``slut'' and prostitute look, very short skirt, boots, piercings for young women. It makes looking as if you are in the sex industry chic and thereby helps sex industrialists by normalizing their business of the international traffic in women. The sex industry sells clothes and the fashion industry sells prostitution and pornography.
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Women may well say makeup empowers them but the interesting question is, what disempowers them about being without their mask? The constraints imposed by sexism and racism and the political structures of male domination are likely to be responsible for women's discomfort about moving into the public world "barefaced".
In choosing the role for women of sexually exciting men over covering up, Abu-Odeh is stuck within the duality that is offered to women under male dominance, sex object or veiled one, prostitute or nun. There is a third possibility: women can invent themselves anew outside the stereotypes of western and non-western patriarchal culture. Women can have access to the privilege possessed by men of not having to be concerned for appearance and being able to go out in public barefaced and bareheaded.
Graham offers an explanation for why many women believe that their "femininity" is biological and inherent and why, "we believe that we would choose to wear makeup, curl our hair, and wear high heels even if men didn't find women who dressed this way more attractive" (1994, p. 197). Women believe this, she says, because "to believe differently" would require the acknowledgement that our behaviour is controlled by "external variables"; that is, men's use of force and its threat. Recognizing this would mean that women would have to "acknowledge our terror" (p. 197). She says that "It is scary for women to contemplate no longer being feminine" (p. 199) and concludes that examining what it is that is scary about giving up femininity may lead to the decision to give it up altogether.
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216 syf.
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Jeffreys, kadinlarin "asil insan" olan erkeklerden farkli ve asagi oldugunun gostergesi olan her turlu pratigi feminist bir perspektifle ele aliyor. Kadinlarin secimlerinin surtunmesiz ortamda gelismedigini bu nedenle de ataerkiden bagimsiz yorumlanamayacagini vurguluyor. Kadinlara zararli olan geleneklerden/kulturel uygulamalardan bahsedilirken ikiyuzlulukle Bati'daki orneklere deginilmemesine karsi cikiyor. Kadinlarin tek bir erkegin veya tum erkeklerin olma ikileminden cikabilecegini, cikmalari gerektigini ve ucuncu feminist bir yolun mumkun oldugunu soyluyor. Kisacasi Jeffreys kadinlarin kafeslerini benimseyip suslemelerinden sikilmis, kadinlari kafeslerini kirmaya ve bir seylerin farkinda olmaya davet ediyor. Ben kendi kafesimi kirdim, diger kadinlarin kafesi fark etmesine yardim etmeye calisiyorum. Tum kadinlarin ozgurce ucabildigi, kafessiz gunlere!..
Beauty and Misogyny: Harmful Cultural Practices in the West
Beauty and Misogyny: Harmful Cultural Practices in the WestSheila Jeffreys · Routledge · 20053 okunma