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Steven Patrick Morrissey

Steven Patrick MorrisseyAutobiography Morrissey yazarı
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Steven Patrick Morrissey was born in Manchester on May 22nd 1959. Singer-songwriter and co-founder of the Smiths (1982-1987), Morrissey has been a solo artist for twenty-six years, during which time he has had three number 1 albums in England in three different decades. Achieving eleven Top 10 albums (plus nine with the Smiths), his songs have been recorded by David Bowie, Nancy Sinatra, Marianne Faithfull, Chrissie Hynde, Thelma Houston, My Chemical Romance and Christy Moore, amongst others. An animal protectionist, in 2006 Morrissey was voted the second greatest living British icon by viewers of the BBC, losing out to Sir David Attenborough. In 2007 Morrissey was voted the greatest northern male, past or present, in a nationwide newspaper poll. In 2012, Morrissey was awarded the Keys to the City of Tel-Aviv. It has been said 'Most pop stars have to be dead before they reach the iconic status that Morrissey has reached in his lifetime.' Autobiography covers Morrissey's life from his birth until the present day.
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Şarkıcı, Söz Yazarı
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Manchester, 22 Mayıs 1959

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If I can sing, I am free, and no legislation can stop me.
Two years on, at Stretford Stadium I represent the school in the 400 meters dash (of sorts), legs muddied, face wet with rain, I clamber in at fourth place. My father is standing by the finishing-line. As I approach him he says, ‘You didn’t win,’ and he looks away, and life decomposes in a bucket. Perhaps I didn’t win but it didn’t help anyone to point it out.
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Like a lost lark I drag all curiosities back to the sanctity of my bedroom where the door closes and James Dead is not Dean art fills wall and headspace as neat boxes of 7-inch discs explain me to any passing psychiatrist. I have no other identity and I wish for none.
New York Dolls
Flayed alive, the Dolls may look beautiful, but they are withering fast, and around them we see Johnny Carson, Paul Newman, Cassius Clay, Robert Redford, David Cassidy, as males within the paragraphs of law. The Dolls endure the consequences of how they look, afflicted by existence yet not responsible.
Lou Reed is unimpressed by applause, and lives a life detached from custom. His stare is cold and his romanticism is brutal. His songs are half-sung melodies of menace. He might drop dead any second, and is therefore the real thing. Examined ravenously like a museum exhibit, Lou Reed is evidently spiked to excess, and strangely loveable.
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