“Fine. Now, will you tell me how to save Raphael?”
He stretches out a long arm and plucks an apple from a tree. “Of course.
To save him, we must learn exactly where they’re keeping him.”
“So, you don’t know where he is?”
“In my dreams, I see mere glimpses. He is in Auberon’s fortress, but it’s
a vast place, with countless dungeons, cells, and torture chambers. I need to
think.” He takes a bite of the apple, closes his eyes, and leans his head back
against the column.
I grit my teeth in frustration as I turn back to look at the banquet table.
He’s actually still got ancient wine in the decanters. Dust and snow cover
the plates and the faded gold tablecloth. There are food trays with silver
domes on them. I hate to think of what’s underneath them.
I have no idea what Mordred is doing right now. Eyes closed, he seems
deep in thought. He begins to hum, an eerie, haunting tune that raises the
hair on my nape and pulls my attention from the banquet table. The song is
uncanny, strangely familiar, and his body glows with silver. And for some
reason, I feel as if the tune is beckoning me closer.
After a while, movement catches my eye from above, and I glance up to
see a cloud of silver moths fluttering down from the ruined ceiling. As
Mordred hums, they twirl and dance in the air, their wings ignited by the
slate-silver moonlight. Mordred holds out his hand, and a moth lands on his
palm.
He opens his eyes and clamps his hand into a fist, crushing it. The rest
of the moths scatter, flitting away from him. He opens his hand again, and
my breath hitches. On his palm is a jeweled silver moth, its wings decorated
with tiny, sparkling stones.
“Take it,” he says.
I take it from his palm, a lifeless moth made of metal.
“This moth will be my ears and my eyes. Carry it into Auberon’s