one of the boys asked if the fences around the camps had been electrified, and then someone else had said how strange it must have been, living in a place like that, where you could commit suicide any time you liked just by touching a fence.
Jim not that way Jim. That's no way to treat a garage door, bending stiffly down at the waist and yanking at the handle so the door jerks up and out jerky and hard and you crack your shins and my ruined knees, son. Let's see you bend at the healthy knees. Let's see you hook a soft hand lightly over the handle feeling its subtle grain and pull just as exactly gently as will make it come to you. Experiment, Jim. See just how much force you need to start the door easy, let it roll up out open on its hidden greasy rollers and pulleys in the ceiling's set of spiderwebbed beams. Think of all garage doors as the well-oiled open-out door of a broiler with hot meat in, heat roiling out, hot. Needless and dangerous ever to yank, pull, shove, thrust. Your mother is a shover and a thruster, son. She treats bodies outside herself without respect or due care. She's never learned that treating things in the gentlest most relaxed way is also treating them and your own body in the most efficient way. It's Marlon Brando's fault, Jim. Your mother back in California before you were born, before she became a devoted mother and long-suffering wife and breadwinner, son, your mother had a bit part in a Marlon Brando movie. Her big moment. Had to stand there in saddle shoes and bobby sox and ponytail and put her hands over her ears as really loud motorbikes roared by. A major thespian moment, believe you me. She was in love from afar with this fellow Marlon Brando, son. Who? Who. Jim, Marlon Brando was the archetypal new-type actor who ruined it looks like two whole generations' relations with their own bodies and the everyday objects and bodies around them. No? Well it was because of Brando you were opening that garage door like that, Jimbo. The disrespect gets learned and passed on. Passed
Nets and fences can be mirrors. And between the nets and fences, opponents are also mirrors. This is why the whole thing is scary. This is why all opponents are scary and weaker opponents are especially scary.
See yourself in your opponents. They will bring you to understand the Game. To accept the fact that the Game is about managed fear. That its object is to send from yourself what you hope will not return.
This is your body. They want you to know. You will have it with you always.
I seen niggers hit the numbers
and go through two thousand dollars in four days. Man
brought him that restaurant down there . . . fixed it up real nice . . . and then didn't want nobody to come in it! A Negro go in there and can't get no kind of service. I seen a white fellow come in there and order a bowl of
stew. Pope picked all the meat out the pot for him. Man
ain't had nothing but a bowl of meat! Negro come behind
him and ain't got nothing but the potatoes and carrots.
Though he fancies himself a
musician, he is more caught up in the rituals and "idea"
of being a musician than in the actual practice of the
music. He has come to borrow money from troy, and
while he knows he will be successful, he is uncertain as
to what extent his lifestyle will be held up to scrutiny and
ridicule.