Emrah Safa Gürkan kitab tövsiyələri:
Genel İnsanlık Tarihi :
Andrew Shryock et al., Deep History: The Architecture of Past and Present
Bulliet, Richard W. The Camel and the Wheel
Carlo Ginzburg, I benandanti: stregoneria e culti agrari tra Cinquecento e Seicento.
Carlo M. Cipolla, Le macchine del tempo. L’orologio e la societa (1300-1700)
Daniel R. Headrick, Technology: A World History
David Edgerton, The Shock of the Old: Technology and Global History since 1900
David Graeber and David Wengrow, The Dawn of Everything: A New History of Humanity
David Graeber, Debt: The First 5,000 Years,Updated and Expanded
Emmanuel Le Roy Ladurie, Times of Feast, Times of Famine: A History of Climate since the Year 1000
Eric Gombrich, The Story of Art
Eric R. Wolf, Europe and the People without History
Felipe Fernández Armesto, Near A Thousand Tables: A History of Food
James C. Scott, Against the Grain: A Deep History of the Earliest States
Karl Polanyi, The Great Transformation
Marshall Hodgson and Edmund Burke III (eds.), Rethinking World History: Essays on Europe, Islam and World History
Marshall Hodgson, The Venture of Islam, 3 vols.
Mary Douglas, Purity and Danger: An Analysis of Concepts of Pollution and Taboo.
Niall Ferguson, The Ascent of Money: A Financial History of the World of 1492
Peter Bogucki, The Origins of Human Society
Peter Frankopan, The Silk Roads: A New History of the World
Peter Watson, Ideas: A History of Thought and Invention, from Fire to Freud
V. Gordon Childe, What Happened in History
Wayne E. Lee, Waging War: Conflict, Culture, and Innovation in World History
William H. McNeill, A World History
William H. McNeill, Plagues and Peoples
William H. McNeill, The Human Condition: An Ecological and Historical View. Princeton: Princeton University Press, 1980
Antropoloji:
"en büyük iletişim problemimiz; anlamak için dinlemiyoruz, cevap vermek için dinliyoruz."
— umberto eco
Yönetmenlerin edebiyatı 2
Stanley Kubrick – Tanrıyı aradı, bulamadı; ama insan aklını parçaladı. 2001: A Space Odyssey, A Clockwork Orange, The Shining.
Quentin Tarantino – Kanı müzikle karıştırır, diyalogları silah gibi. Pulp Fiction, Kill Bill, Inglourious Basterds.
Christopher Nolan – Zamanı cebinde taşır, bilinci kurguda katlar. Memento, Inception, Interstellar.
Paul Thomas Anderson – Amerikan toplumunu psikolojik haritasıyla çizer. Boogie Nights, Magnolia, There Will Be Blood.
Guillermo del Toro – Canavarlarda insan, insanlarda canavar arar. Pan’s Labyrinth, The Shape of Water, Crimson Peak.
Ruben Östlund – Modern insanın kibri ve çelişkilerini keskin mizahla gösterir. Force Majeure, The Square, Triangle of Sadness.
Taika Waititi – Trajediyi mizahla, absürtlüğü duyguyla dengeler. Jojo Rabbit, Hunt for the Wilderpeople, Thor: Ragnarok.
Jordan Peele – Korkuyu politik bir aynaya dönüştürür. Get Out, Us, Nope.
Robert Eggers – Tarihi korkuyu gerçekçi bir dille işler, zamanı koklar. The Witch, The Lighthouse, The Northman.
Jim Jarmusch – Cool ve sakin; sıradan hayatları şiirle çeker. Dead Man, Coffee and Cigarettes, Only Lovers Left Alive.
Werner Herzog – İnsan deliliğini ve doğanın acımasızlığını filmleştirir. Aguirre, Fitzcarraldo, Grizzly Man.
Jean-Luc Godard – Sinemayı kırar, parçalarını yeniden inşa eder. Breathless, Pierrot le Fou, Weekend.
Ingmar Bergman – Tanrı, ölüm ve yalnızlığı sahneler. The Seventh Seal, Persona, Fanny and Alexander.
Agnes Varda – Sıradanlıkta şiir bulur, kadın bakışıyla sinemayı yeniden yaratır. Cléo from 5 to 7, Vagabond, Faces Places.
Nadine Labaki – Ortadoğu’yu, kadın ve çocuk gözüyle anlatır. Caramel, Where Do We Go Now?,
Reklam
Varlığın ve Anlamın Kutsal Kaynağı: Nihai Gerçeklik
Varlığın ve Anlamın Kutsal Kaynağı: Nihai Gerçeklik
Cevat ORHAN
Giriş
İnsanlık tarihi boyunca, varoluşun en temel soruları olan "Kim'im?" ve "Neden buradayım?" sürekli sorgulanmıştır. Bu sorulara verilebilecek en kapsamlı yanıt, bir Metapolialektik bakış açısıyla, yani tüm zıtlıkların (tez ve antitez) çatışmasından daha yüksek bir varoluşsal düzleme (sentez) dönüşüm süreciyle anlaşılabilir. Bu makale, her şeyin temelini oluşturan, zaman ve mekânın ötesindeki nihai ilke olan Mutlak Kaynak kavramı üzerinden, bu dönüşüm sürecini açıklamaktadır.
Mutlak Kaynak ve O'nun Yansımaları: Evrenin Yaratılışı
Mutlak Kaynak, kendi içinde sınırsız bir potansiyel barındırır. Bu sonsuzluk, fiziksel evreni yaratarak kendini yansıtır. Evren, Mutlak Kaynak'ın kendisi değil, sadece O'nun bir tecellisi veya yansımasıdır. Tıpkı bir aynanın, yansıttığı görüntünün kendisi olmaması gibi.
Bu yaratılış sürecini anlamak için, evrenin temel kuralları olan kuantum, frekans ve titreşim gibi kavramları kullanırız. Bu kavramlar, bilimsel birer adlandırma olmanın ötesinde, Nihai Gerçeklik'ten gelen enerjinin nasıl somutlaştığını gösteren araçlardır. Benzer şekilde, dinlerdeki melek figürleri de bu yasaların kişileştirilmiş halleridir. Cebrail, ilahi bilginin ve üst aklın yansımasıyken; Mikail düzeni, İsrafil dönüşümü ve Azrail ölümü temsil eder. Hepsi, O tek kaynaktan gelen farklı akışlardır. Bu durum, "Lehu'l mulku'ssemevati ve ma fil arz" (Göklerin ve ve yerin mülkü O'nundur) ayetiyle ifade edilen, evrenin ve içindeki her şeyin Mutlak Varlık'a ait olduğu gerçeğiyle uyumludur.
İnsanın İkilemi: Dürüstlük ve Sapma
İnsan, bu yansıma evrenin en karmaşık parçasıdır. Bedenen sınırlı ve ölümlü olan insan, aynı zamanda ruhsal olarak sonsuz potansiyeli içinde barındırır. İşte bu noktada, dürüstlük ve kötülük
Richard and Saladin
Europe was stunned. When the Pope heard the news he is said to have died of shock. But Saladin made one mistake. He allowed the city of Tyre to hold out and thus allowed the Christians to reinforce it by sea and preserve a foothold. Acre was besieged and all Europe was mobilised for war against the Arabs in the Third Crusade. Frederick Barbarossa, the Emperor of the Romans as he styled himself, raised the first army, but he drowned off the coast of Sicily. He was soon followed by others, including Richard the First of England, known to history by the name "Coeur de Leon" (Lionheart). This reminds us of what Trotsky wrote about the tsarist general Kornilov - "the heart of a lion and the brain of a sheep". Probably Richard was of a similar type.
Like many of his contemporaries, Richard "took the cross" and departed for the Holy Land - about 2,500 miles from home - to spread the message of Christianity with fire and sword. He was undoubtedly a good soldier, disciplined and brave. His armies were paid for by the sale of dukedoms and other possessions. It was reputed to be the best disciplined force in Europe. Its heavily armoured knights were capable of launching a murderous charge. The crossbow was a deadly new addition to its weaponry. In fact, it was considered to be such a wicked and inhuman weapon that the Pope had banned it - except, of course, for the purpose of killing "infidels".
This was said to be the most professional army to go to Jerusalem. One difference was that they travelled by ship - which the rabble could not afford and therefore there were considerably less undesirable camp followers. But like all medieval armies, this force was motivated by the greed for loot and money. Yet again, the Crusaders went on the rampage in Lisbon,
Saladin
In striking contrast to the Christian bandits, real chivalry was to be found among the Saracen "infidels" like the Moslem leader Saladin. He was a natural warrior, unequalled in his knowledge of the arts of war at that time. He was also brave, loyal and generous. Born a Kurd, when the Kurds were looked down upon by Arabs, he had risen from the ranks and became one of the Sultan's most trusted guards. Saladin knew both how to capture a city and also how to hold onto it.
When Nur-al-Din died, he was succeeded by his Kurdish general, Shirkuh. But the latter soon died, apparently from over-eating, and his place was taken by his nephew, Saladin, who became Vizir. This remarkable man was a mystic and an ascetic who fasted, slept on a rough mat and gave alms to the poor ceaselessly. His inquiring mind decided that there was much good in Christianity, and he won respect even from his crusader enemies.
Saladin united all the Arab states - a great achievement - and created the most formidable fighting force in the world. He became king of Egypt and Syria in 1176 with the blessing of the Caliph of Baghdad. He organised a jihad against the invaders and showed himself to be a brilliant military tactician, forcing the Franks to fight on his terms, at a time and place of his choosing.
In complete contrast, the moral character of the Frankish leaders may be seen by the conduct of a man called Reynault. This truly Christian knight had tortured a priest to death by the procedure of cutting numerous wounds in his head, then smearing these with honey and leaving the rest to the insects. This gangster was defeated by Saladin in a famous battle in July 1187 by guerrilla tactics. The Franks were lured into the desert, where they were tormented by the heat and worn down by the
Beyin yıkama... Din... İnanç...
İnsanlar için bir lanet gibiler.
(Fire Force - 1. Sezon 21. Bölüm)
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