The Days Run Away Like Wild Horses Over the Hills

Charles Bukowski

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Guilt Obsession Behind a Cloud of Rockets genuinely traginew, dandy then, babe, the age-old bile: dummies stuffed with wax and steel, a deeper dark than any dark we have ever
The Seminar (...) De Costro says the root of the thing is transferred to the tree and the tree dies and becomes HISTORY and that generally history is pretty disappointing, it’s easier to chop down a tree. (...)
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These Mad Windows That Taste Life and Cut Me If I Go Through Them (...) I become quiet I listen to their sounds— their baseball games, their comedies, their quiz shows, their dry kisses, their kindling safety, their hard bodies stuffed into the walls and murdered, and I go to the table take my madman’s crayons and begin drawing them on my walls all of them— loving, fucking, eating, shitting, frightened of Christ, frightened of poverty, frightened of life they crawl my walls like roaches and I draw suns between them and axes and guns and towers and babies and dogs, cats, animals, and it becomes difficult to distinguish the animal from the other, and my whole body sweats, stinks, as I tremble like a liar from the truth of things, and then I drink some water, take off my clothing and go to bed where I will not sleep. (...)
Poem While Looking at an Encyclopedia (...) I suppose they are beautiful in their slow horror, and at the bottom an alligator puts his eye upon me and we look he and I; he breathes and hungers on a flat dream, and so this is the way we will be spread across the page,— teeth, title, poesy, alligator heart, as the sky falls down.
Sleeping Woman (...) but I know that you are a contemporary, a modern living work perhaps not immortal but we have loved. please continue to snore.
Night Animal I have never seen such an animal except perhaps once, but that is another story— there it stood, no lion yet no dog no deer yet deer frozen nose and eye, all eye gathering all the moonlight that hung in trees; and everywhere the people slept; I saw bombers over Brazil, cathedrals choked in silk, the gray dice of Vegas, a Van Gogh over the kitchen sink. (...)
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