BY İBRAHIM HAKKI ERZURULMU, 18TH CENTURY
Marifetname Reference: ART3002269
Arabic and Turkish manuscript on paper, 369 leaves plus 3 fly-leaves, written in black naskh script. Catchwords and titles in red, the opening page with gold and polychrome decoration.
Marifetname is the second main work of Erzurumlu İbrahim Hakkı. The work includes a preface, three major chapters and an afterword, each chapter divided into subsections. The preface is entirely religious, the first part describes the existence and oneness of God, then describes simple and compound bodies, mines, plants and finally man. Then there are geometry, astronomy and calendar topics. It has shown the latitude and longitude of more than 100 provinces in the geography section.
The second part includes sciences such as science, anatomy, and physiology. He also examined the human body in terms of aesthetics, and together. He believed in the relationship between body structure and temperament and explained this in poetry. 
Erzurumlu İbrahim Hakkı
Marifetname Reference: ART3002269
Arabic and Turkish manuscript on paper, 369 leaves plus 3 fly-leaves, written in black naskh script. Catchwords and titles in red, the opening page with gold and polychrome decoration.
Marifetname is the second main work of Erzurumlu İbrahim Hakkı. The work includes a preface, three major chapters and an afterword, each chapter divided into subsections. The preface is entirely religious, the first part describes the existence and oneness of God, then describes simple and compound bodies, mines, plants and finally man. Then there are geometry, astronomy and calendar topics. It has shown the latitude and longitude of more than 100 provinces in the geography section.
The second part includes sciences such as science, anatomy, and physiology. He also examined the human body in terms of aesthetics, and together. He believed in the relationship between body structure and temperament and explained this in poetry. Erzurumlu İbrahim Hakkı
💮Kalbim yerinden firlarcasina.
kalem tutan nasir ellerimin yazgının çizgisine bir buse kondurup!Gülümsemek...💮
pişman olunmayan ve kefareti ödenmeyen her bir günah kader haline gelir! . . Neden ve sonuç, sonuç ve neden, birbirini üretmeye ve çoğaltmaya devam eder, birbirini izleyen her adım bataklığın daha da derinleşmesine yol açar.
•Ludwig Field, Tales From Phantasus, Preface, (J.A.F), 1845
Ne kadar az görünür olursa olsun, temelinde bir tür alegori barındırmayan hiçbir sanat eseri yoktur ve olamaz da!.. İyilik ve kötülüğün iki biçimi her şiirde karşımıza çıkar; her fırsatta, insanın ürettiği her şeyde, sonsuz bir biçimler çokluğu içinde, sürekli çözmeye çabaladığı ebedi bir bilmece olarak karşımıza çıkarlar.
•Ludwig Field, Tales From The Phantasus, Preface, 1845
yüksek armağanlar sadece yalnızlığın dinginliğinde üzerimize inebilir. . .
•Ludwig Fields, Tales From The Phantasus, Preface, 1845
Jean Paul:
"Şimdi gecenin on ikinci saati; gecenin iğrenç kuşları çığlık atıyor ve hayaletler dans ediyor; ölüler etrafta, yaşayanlar rüyada dolaşıyor!"
•Ludwig Tieck, Tales From The Phantasus, Preface (J.A.F), 1845