Elizabeth Solopova

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In 'Beowulf: The Monsters and the Critics' and 'On Fairy-Stories' he rejected the view that myth was an allegory of nature.
In all his works, including The Hobbit, The Children of Hurin and LOTR, heroes and the heroic are given a very prominent role. Like medieval writers before him, Tolkien portrays different types of heroic behaviour, and shows their often inseparable weaknesses and strengths.
Reklam
The idea that a name is capable of communicating information about its owner, appears repeatedly in Tolkien's works. Many of his characters attach great importance to names and treat them as something intimately connected with their owner. Treebeard refuses to tell his real name to Merry and Pippin, explainin that 'real names' tell 'the story of the things they belong to' in his language.
Tom Shippey, The Road to Middle Earth kitabından:
Shippey drew attention to Tolkien's extensive use of place and personal names, particularly in LOTR. He pointed out that whereas The Hobbit has some 40 or 50 names, 'the indices of The Lord of the Rings list over 600 names of "Persons, Beasts and Monsters", almost as many places, with a couple of hundred unclassifiable but named objects'.
İskandinav folkloru ve Tolkien:
Scandinavian literature constitutes arguably the most original literary tradition of medieval Europe, and its influence on Tolkien was enormous.
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