Peter A. Fawcett Gönderileri
Peter A. Fawcett kitaplarını, Peter A. Fawcett sözleri ve alıntılarını, Peter A. Fawcett yazarlarını, Peter A. Fawcett yorumları ve incelemelerini 1000Kitap'ta bulabilirsiniz.Having arrived at an appropriate structure, or set of structural systems, be they framed, planar or plastic which will allow the ‘diagram’ to develop and mature, the designer is faced with the whole question of structural expression and how this interacts with the ‘skin’ of the building. Should the external membrane oversail and obscure a structural frame, should it infill and therefore express the frame, or should the frame be revealed as a free-standing element proud of the external cladding or ‘skin’.
Sayfa 50 - Expression.
Spatial hierarchies
Whilst such patterns of circulation and the ordering of ‘routes’ through a building allow us to ‘read’ and to build up a three-dimensional picture, there remains the equally important question of how we communicate the essential differences between the spaces which these systems connect.
Sayfa 36 - deep symbolic significance, run-of-the-mill elements, public domain
Circulation
Indeed, concern for imparting some formal expression to horizontal and vertical circulation systems within buildings has constantly been an overriding concern to architects of modernist persuasion.
Sayfa 25 - circulation routes as ‘armatures’ upon which cells of accommodation are hung..
Freed from the constraints of natural ventilation and natural lighting, architects were free to explore the formal potential of deep-plan types.
Sayfa 11 - But as we enter the new millenium, deeper concerns of energy conservation and sustainability have to a large extent eclipsed the stylistic obsessions of post-modern.
The Contex for Design
This brings us to another well-worn stance adopted by progressive architects; that architecture (unlike mechanical engineering) responds in some measure to a prevailing cultural climate in which it is created and therefore emerges inevitably as a cultural artefact reflecting the nature of that culture.
Sayfa 3 - establishing socio-political framework which, to a greater or lesser extent, inevitably encourages or restricts their creative impulses blabla.
But every practising architect knew that this restrictive linearmodel of the
design process flew in the face of all shared experience; the reality of designing did not conform to a predetermined sequence at all but demanded that the designer should skip between various aspects of the problem in any order or at any time, should consider several aspects simultaneously or, indeed, should revisit some aspects in a cyclical process as the problem became more clearly defined.
Sayfa 2 - Moreover, design theorists urged designers to delay as long as possible the creative leap into ‘form-making’ until every aspect of the architectural problem.