You've been dressing up the truth I've been dressing up for you Then you leave me in this room, this room Pour a glass and bite my tongue You say I'm the only one If it's true, then why you running, you running? Ooh-woah-oah If you're really being honest If you really want this (ooh-woah-oah) Why you acting like a
Talking to strangers'dan
Like her friend Sylvia Plath, Sexton was unlucky. She had an impulse coupled with a lethal method, just a year before that method stopped being so lethal. Had her difficult 1974 been instead her difficult 1984, she too might have lived much longer. We overhear those two brilliant young poets I the bar at the Ritz, eagerly exchanging stories about their first suicide attempt, and we say that these two do not have long to live. Coupling teaches us the opposite. Don't look at the stranger and jump to conclusions. Look at the stranger's world.
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Every one gives up something when they marry. She had given up her home. She had come to live here, in this awful city. But Septimus let himself think about horrible things, as she could too, if she tried. He had grown stranger and stranger.
The world was on fire and no one could save me but you It's strange what desire will make foolish people do I never dreamed that I'd meet somebody like you And I never dreamed that I'd lose somebody like you
When the Stranger says: ‘What is the meaning of this city? Do you huddle close together because you love each other?’ What will you answer? ‘We all dwell together To make money from each other’? or ‘This is a community’? And the Stranger will depart and return to the desert.
What is the point in being alive if you are not going to try for something? If you are not going to at least attempt to make your time here remarkable? Stop holding yourself back. Tell the person that makes your stomach ache with hope that every part of your heart is tender for them, even if you think you have no chance. Don’t just fantasize about your dream job—actively pursue it, and if that door is not open, knock it down. Buy the plane ticket, jump the fence, kiss the stranger. Make sure that you don’t allow your fear to hold you back. Instead, look your fear in the face and invite it to dinner, become its best friend. Live alongside it, let it make you feel alive. Please, just choose impossibility. Choose risk. Choose making mistakes and making memories and making it up as you go. Just choose to embrace whatever time you do have here, because life is finite, and fragile, and it vanishes too quickly. Make it worth it. Make it count.
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