Zeynep
@szeynep
510 okur puanı
Ocak 2017 tarihinde katıldı
Heh hee
Gençken hayattaki en önemli şeyin para olduğunu düşünürdüm. Şimdi yaşlandım ve öyle olduğunu biliyorum.
-Oscar Wilde
Zeynep
Bence bunu Oscar Wilde'ın söylemiş olma imkanı yok kaynak güvenilir mi
0-30p: Kontrollü okuyucu 📖
40-70p: Hafif bağımlı 👀
80p+: Geçmiş olsun, kitaplar seni ele geçirmiş 😅
Rand’s fiction is rife with romantic triangles and quadrangles, with adultery and divorce, with homoerotic bonds among a heroine’s multiple lovers (though homoeroticism among women is unimaginable in the Randian fictional universe). There is no birth control or abortion, few children, virtually no housework. The sex scenes feature conquest and eroticized physical struggle as powerful women submit to dominant men. But they do not then cling, depend, or nag—only the weak and the wives do that. And the romances emphatically do not end in marriage. These are fantasies for the New Woman that cut in multiple directions. Aspirational creative and professional freedom, circumscribed within a context of consensual, ecstatic sexual submission to heroic men, is available to the superior single woman producer. All the other women are either nagging parasites or starving primitives and incompetents.
Zeynep isimli okura yanıt verildi
Zeynep
@berkayu Kesinlikle, zaten bu kitabın yazarı da oturmuş nerden vursam diye düşünmüş bunu bulmuş, eh ben de eleştirmek istesem burdan başlarım. Bu arada ben herhalde konferansa gidemiyorum hocam bana siz konferans verseniz de ben soru sorsam olur mu? :D
Rand’s fiction is rife with romantic triangles and quadrangles, with adultery and divorce, with homoerotic bonds among a heroine’s multiple lovers (though homoeroticism among women is unimaginable in the Randian fictional universe). There is no birth control or abortion, few children, virtually no housework. The sex scenes feature conquest and eroticized physical struggle as powerful women submit to dominant men. But they do not then cling, depend, or nag—only the weak and the wives do that. And the romances emphatically do not end in marriage. These are fantasies for the New Woman that cut in multiple directions. Aspirational creative and professional freedom, circumscribed within a context of consensual, ecstatic sexual submission to heroic men, is available to the superior single woman producer. All the other women are either nagging parasites or starving primitives and incompetents.
Zeynep isimli okura yanıt verildi
Zeynep
@berkayu Ama öyle göstermesi hak vermiyor değilim tamam belki anlatmak istediğini anlatmak için keskinleştirmiş güçlü karakterlerle diğerlerinin arasındaki farkı, bu da bence hikaye anlatıcılığının yavanlığından kaynaklanıyor. Fikirlerinde olduğu kadar yazarlıkta iyi olsaydı tadından yenmezdi yazıları
Rand’s fiction is rife with romantic triangles and quadrangles, with adultery and divorce, with homoerotic bonds among a heroine’s multiple lovers (though homoeroticism among women is unimaginable in the Randian fictional universe). There is no birth control or abortion, few children, virtually no housework. The sex scenes feature conquest and eroticized physical struggle as powerful women submit to dominant men. But they do not then cling, depend, or nag—only the weak and the wives do that. And the romances emphatically do not end in marriage. These are fantasies for the New Woman that cut in multiple directions. Aspirational creative and professional freedom, circumscribed within a context of consensual, ecstatic sexual submission to heroic men, is available to the superior single woman producer. All the other women are either nagging parasites or starving primitives and incompetents.
Zeynep isimli okura yanıt verildi
Zeynep
@berkayu Benim hep gözüme batan ama hiç tam olarak cümleye dökmediğim bir şeydi, bu yazarı okuyunca hak verdim. Bence tam olarak nagging parasites olarak çiziyor bazı kadınları, ilk aklıma gelen Lillian Rearden oldu😪
Rand’s fiction is rife with romantic triangles and quadrangles, with adultery and divorce, with homoerotic bonds among a heroine’s multiple lovers (though homoeroticism among women is unimaginable in the Randian fictional universe). There is no birth control or abortion, few children, virtually no housework. The sex scenes feature conquest and eroticized physical struggle as powerful women submit to dominant men. But they do not then cling, depend, or nag—only the weak and the wives do that. And the romances emphatically do not end in marriage. These are fantasies for the New Woman that cut in multiple directions. Aspirational creative and professional freedom, circumscribed within a context of consensual, ecstatic sexual submission to heroic men, is available to the superior single woman producer. All the other women are either nagging parasites or starving primitives and incompetents.
Zeynep
@berkayu Bu konuda ne düşünüyorsunuz hocam? Merak ettim