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Almost immediately following the introduction of new materials, two distinct types of new sculpture make their appearance. The difference is a simple one-either the material is a means to an abstract end, or it preserves certain instrinsic associations that the sculptor willingly exploits.
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Rodin admired the sculpture of the young Rumanian when he saw it at the 1907 Salon, and asked him if he would like to work with him in his studio. But Brancusi, without hostility and without offending Rodin, turned down the invitation: 'I refuse to work for him, for nothing grows under big trees' he said.
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As scientific knowledge of the universe advanced, so did man's importance seem to diminish.
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