No matter how well you design an application, over time an
application must grow and change or it will die.
For me much of the challenge ( and interest ) in design is in knowing about alternatives and judging the trade-offs of using one alternative over another.
Bazı hikâyeler tam tahmin ettiğin gibi ilerler. Bazılarıysa son sayfada tüm bildiklerini sorgulatır. 🤯
Ters köşeleri seviyorsan, seni sonuna kadar merakta bırakacak 3 kitap önerisini keşfetmeye hazır ol!
Slowly Falling for him
I glance at Talan cautiously. “Whose blood is on your sword?”
“Someone made the mistake of testing my patience. You’d think people
would have learned by now.”
Vague. Annoyingly so. “Another traitor?”
He cuts me a sharp look. “I won’t let anyone get in my way.”
A chill ripples up my spine as he stalks over the snow.
The air seems to grow heavier and otherworldly until the forest opens
into a clearing, a path lined with ancient statues and pale purple hedges. On
the far end of the path, the Lost Palace emerges from the wintry forest, a
haunting edifice of twists and curves. Ice and snow glaze the stones,
sparkling in the pale light. Fog billows around a frozen garden of heather
and bare yews. Moths flutter around us—not metallic, but real ones that are
bright blue. Corbinelle moths. Beautiful to look at, but they’re venomous.
Like Talan, really.
Stone arches frame a door of carved oak, peaked in the center. As we
walk closer, my gaze flicks up at the statues. I stop to stare at one of them, a
towering, crowned queen with long hair that drapes over her robes. My
gaze slides to the symbols on her wrists, and an ember of recognition sparks
in my mind. The encircled triple spirals remind me of the ones I saw in
Nimuë’s tower—and look exactly like the ones I’d seen on my wrists for a
moment in the bathtub. As I stare at them, cold magic slides over my wrists.
Talan follows my stare. “That’s Nimuë. She built this palace long ago.
She’s buried here, in fact. Did you know that before she was the Lady of the
Lake, my grandmother had that role? Before she was queen.”
I stare at the triple spirals again. Three Ladies of the Lake. “Queen
Morgan.”
Thank the ancient gods we don’t have the same grandmother in reality,
given some of the filthy thoughts I’ve had about him.
I draw a shaky
Sosyal düzenin altında yatan psikolojiBilim-Kurgu
“That’s the human brain,” Attavio VI said. “It creates patterns when there aren’t any. Imagines
causality when there is none. Imagines a narrative where none exists. It’s in the design of the brain
itself. It’s primed to lie.”
“And primed to believe the lie.”
The Decorator pattern was first described in the book Design Patterns: Elements of Reusable Object-Oriented Software by Erich Gamma et al. (Addison-Wesley, 1994). The pattern’s intent is to “attach additional responsibilities to an object dynamically. Decorators provide a flexible alternative to subclassing for extending functionality."
Manning
Summary - Chapter 1Yazılım
Dependency Injection is a set of software design principles and patterns that enable you to develop loosely coupled code. Loose coupling makes code more maintainable.
When you have a loosely coupled infrastructure in place, it can be used by anyone and adapted to changing needs and unanticipated requirements without having to make large changes to the application’s code base and its infrastructure. Troubleshooting tends to become less taxing because the scope of likely culprits narrows.
DI enables late binding, which is the ability to replace classes or modules with different ones without the need for the original code to be recompiled. DI makes it easier for code to be extended and reused in ways not explicitly planned for, similar to the way you have flexibility when working with electrical plugs and sockets.
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