The portrait he has been painting is too bizarre for her to visualize. Though it also occurs to her that anyone who writes knows the cliché “Truth is stranger than fiction” contains a great deal of wisdom. The image of the hate-filled nun with the maimed hand is intriguing.
Bir diğer örnek, James Cameron'un Titanic'idir (Titanik, 1997). Filmde Rose'un, önünde poz verdiği resimlerden birisi Picasso'nun les Demoiselles d'Avignon'u (Avignon'lu Kızlar, 1907),
diğeri Portrait d'Ambroise Vollard (Ambroise Vollard'ın Portresi, 1910) ve Edgar Degas'ın l'Etoile ou la danseuse sur la scene'idir (Yıldız Dansçısı Sahnede, 1876). Bunlar iki ünlü ressamın resimlerinin tarzında yapılmış kopyalardır. J. Cameron, Degas'ın ve Picasso'nun modernitesini bu yolla gündeme getirir
(aynı zamanda izleyicinin bilgi birikimine seslenir).
“Every portrait that is painted with feeling is a portrait of the artist, not of the sitter. The sitter is merely the accident, the occasion. It is not who is revealed by the painter; it is rather the painter who, on the coloured canvas, reveals himself”
He looked at the portrait of Big Brother. He was very proud of Oceania. His soul was as white as snow. He cried with happiness. The struggle came to an end. He had won the victory over himself. He loved Big Brother.
THE END