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to my beloved, Dylan Thomas.
Today, I read a poem of yours and it made me cry; "I Have Longed To Move Away". Both being passionately attached to life and madly running away from it fit so nicely into the verses of a poem, Dylan. Every time I come face to face with you, I hear the words you say and get lost in the meaning of it. Reading the lines you write is like
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Well, 'The Seagull'' is more in the fashion of a GOOD Chekhov work, it's overflowing with humanity, it teaches but does not moralize and its intensity is subdued by its steady flow that keeps it being overdramatic. There's a bit of autobiography here, Chekhov seems to be reflecting on his own struggles as a writer and his need to be accepted and wanted by his audiences and critics,on which apparently he placed great emphasis, this comes out a lot in Trepliov and Trigorin's characters and personalities, as well as in Arkadina, a matriarchal entity that hovers over the life and career of Trepliov. One can easily imagine Chekhov feeling the same way Trepliov felt, when his mother criticized his play, in reaction to the reviews of 'The Seagull' at the time. The instable nature of human emotions is a constant in this play, everyone seems to be losing their minds over love, literally throwing in their lot for whatever path their wayward hearts might show them and the typical bubbling to the surface of this theme of human feelings conflicting which other is well arranged, nothing is over the top and there's gentle understanding in the ways in which the characters struggle and in the ways in which the reader is meant to interpret said struggles. The ending tops it off wonderfully, it's a somber, calm before the storm kind of setting and rounds up a work that is both unnerving in its depth to which it reflects on how one can get lost in his head , like Trepliov does and the insensitive and sometimes heartless world that one must confront and the need to always push through no matter what is thrown at you along the way.
Martı
MartıAnton Çehov · İş Bankası Kültür Yayınları · 201620,3bin okunma
Reklam
Good evening, London. I thought it time we had a little talk. Are you sitting comfortably? Then I’ll begin… I suppose you're wondering why I called you here this evening. Well, you see, I'm not entirely satisfied with your performance lately... I'm afraid your work's been slipping, and... And I'm afraid we've been
Book II: This Vicious Cabaret-Chapter III:VideoKitabı okudu
Another problem with the 'estrangement' case is that there is no kind of writing which cannot, given sufficient ingenuity, be read as estranging. Consider a prosaic, quite unambiguous statement like the one sometimes seen in the London Underground system: 'Dogs must be carried on the escalator.' This is not perhaps quite as unambiguous as it seems
Sayfa 7
"...You know, life is not so original after all. It has uncanny ways of reminding us that, even without a God, there is a flash of retrospective brilliance in the way fate plays its cards. It doesn't deal us fifty-two cards; it deals, say, four or five, and they happen to be the same ones our parents and grandparents and great-grandparents played. The cards look pretty frayed and bent. The choice of sequences is limited: at some point the cards will repeat themselves, seldom in the same order, but always in a pattern that seems uncannily familiar. Sometimes the last card is not even played by the one whose life ended. Fate doesn’t always respect what we believe is the end of a life. It will deal your last card to those who come after. Which is why I think all lives are condemned to remain unfinished. This is the deplorable truth we all live with. We reach the end and are by no means done with life, not by a long stretch! There are projects we barely started, matters unresolved and left hanging everywhere. Living means dying with regrets stuck in your craw. As the French poet says, Le temps d’apprendre à vivre il est déjà trop tard, by the time we learn to live, it’s already too late. And yet there must be some small joy in finding that we are each put in a position to complete the lives of others, to close the ledger they left open and play their last card for them. What could be more gratifying than to know that it will always be up to someone else to complete and round off our life? Someone whom we loved and who loves us enough. In my case, I’d like to think it will be you, even if we’re no longer together. It’s like already knowing who will be the one who’ll shut my eyes. I want it to be you, Elio.”
Faber and Faber PaperbackKitabı okudu
116 syf.
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Reflections of social issues of modern people in the play “A Doll's House”
It seems that just surviving and sleeping with a full stomach are not the main problems of developed civilizations since the first formations of societies. ‘Surviving in a good condition’ is the key for modern women and men and death is mostly ignored or perceived as an end from a scientific point of view. Social status, economic level of
A Doll's House
A Doll's HouseHenrik Ibsen · Gece Kitaplığı · 2014765 okunma
23 öğeden 1 ile 10 arasındakiler gösteriliyor.