200 syf.
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25 saatte okudu
The book, In the Land of White Lilies, was written by the famous journalist and columnist former priest, Russian Immigrant Grigoriy SpiridonovichPetrov. Born on January 26, 1866 in Yamburg, Petrov graduated first from the seminary and then from the theological academy in 1891, becoming a priest and later choosing to become a teacher. This book,
Beyaz Zambaklar Ülkesinde
Beyaz Zambaklar ÜlkesindeGrigory Petrov · IQ Kültür Sanat Yayıncılık · 2017100,1bin okunma
"He might talk to Rogan, since he’s the most dangerous man in Houston.” “Is that the official title?” I asked. “No,” Rogan said. “It’s a statement of fact.”
Avon BooksKitabı okudu
Reklam
250 syf.
8/10 puan verdi
4/5 Stars (%80/100) I had no idea this existed so when I finished it, I was very satisfied. From the title, you can understand that Gaiman alludes to Sir Arthur Conan Doyle's A Study in Scarlet (Sherlock Holmes) but when you start to read (listen to, in this case) more, you realize that it has many similarities to H.P. Lovecraft's Cthulhu mythos. With these in mind, there is really no way you can dislike this. I listened to this and it was about 40 minutes long, read by Neil Gaiman himself. I always liked listening to Gaiman's voice and this was also great. The twist at the end of the story was amazing as well. Definitely recommended!
A Study in Emerald
A Study in EmeraldNeil Gaiman · 20032 okunma
But people were people, no matter their title, and some desires were universal. Unfortunately, the ability to fulfill them was not.
36 syf.
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1 saatte okudu
A poem about legacies and death
In the poem, the statue of Ozymandias, the king of kings, lies decaying in a distant desert. Only the pedestal, two upright legs and a face, remains of his statue; the rest is shattered and buried under lone and level sands. Netiher his mighty power as a king nor his statue, his legacy, could withstand the passage of merciless time. This poem reminds me of the 76-77th stanzas of Hávámál, a collection of Old Norse poems about philosophy of life. However, these stanzas and Ozymandias are more like two sides of the same coin, they complete each other. They both give the message of "memento mori" (remember you are a mortal), and speak about leaving a legacy. Ozymandias does this by the statue of Ozymandias, the king of kings while 76-77th stanzas of Hávámál give this message through the experiences of common man; however, this time the speaker is Odin - the king of gods. The message, along with memento mori, is that immortality is only achieved through a legacy: through the tales of the one who lived and died; through the reputation they leave behind. Man is the legacy he leaves behind. Nothing more, nothing less. Although Hávámál presents legacies as more heroic, personally, I always thought about legacies similar to that of Ozymandias. Even the legacy, the statue, of King Ozymandias lies broken into pieces in a distant desert; forgotten and covered with sand. No matter how mighty and powerful you are, no matter what your title is, no matter how powerful your legacy is, time and death will erase everything. In the end, good or bad, nothing matters. Everything is doomed to be swallowed by the sands of time.
Ozymandias
OzymandiasPercy Bysshe Shelley · Hoopoe Books · 199934 okunma
Şahsiyet (Persona)
Şahsiyet (Persona): A Must-See Turkish Cult Classic in the Making (Cat Costumes, Serial Killings, and English Subtitles: Turkish TV Series Şahsiyet Has it All.) If you watch Turkish TV to learn Turkish or other reasons, you may feel that you’ve sacrificed part of your life for this language. The episodes usually last up to two hours, and the
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The coming age is, of course, what is often called ‘the messianic age’, but the term is a misleading one. The designation ‘messiah’ — which in Hebrew and Aramaic means simply ‘anointed one’ — figures only rarely in the Hebrew Bible; and when it does appear, it is simply a title given to the king or, when the monarchy no longer existed, to the high priest. The expected future king, of David's line, is never referred to as ‘messiah’. Nor is that future king ever portrayed as a supernatural figure.
428 syf.
10/10 puan verdi
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13 günde okudu
NO TITLE NEEDED
MACERA SONA ERİYOR(Spoiler var) Efenim bu kitap serimizin son kitabıdır.İkinci kitapta olduğu gibi burada da 2 kısım şeklinde ilerliyor. İlk kısımda Kardeşliğin Frodo ve Sam dışındaki üyelerinin maceraları anlatılıyor. İkinci kısımda ise Frodo ve Sam'in maceraları anlatılıyor. Öncelikle Tolkien'in hayattayken bitirdiği bir kitap olduğu için Orta Dünya evrenini en anlaşılır şekilde anlattığını düşünüyorum.Tolkien'in diğer eserlerini oğlu babasının notlarından yazdığı için biraz daha karmaşık. İki Kule kitabının incelemesinde de belirttiğim gibi bazı bölümler filmde o kadar güzel sahnelenmiş ki, kitapta o bölümleri okuduğumda çok fazla beklentiye kapıldım ne yalan söyleyeyim. Özellikle Ride of Rohirrim sahnesi mükemmeldi bence filmde, bu yüzden fazlaca beklentiyle okudum o bölümü ama beklentimin altındaydı. Tabiki de bu kitabın kusuru değil, sinemaya çok iyi şekilde yansıtıldığı için bu durum böyle. Eh bunu da bitirdiğime göre Orta Dünya evrenine biraz ara verme zamanı geldi.Artık sırada Silmarillion var ama hemen okumayacağım çünkü biraz ara vermek en iyisi tadını çıkara çıkara okumak lazım. Peace out Tolkien Fans
Yüzüklerin Efendisi - Kralın Dönüşü
Yüzüklerin Efendisi - Kralın DönüşüJ. R. R. Tolkien · Metis Yayıncılık · 20189,3bin okunma
The barbarian kings of Italy pursued their own interests, but they ruled, to begin with at least, in the name of the distant Emperor in Constantinople, maintaining and honouring the Roman Senate, and accepting the honorific title ‘Patrician of the Romans’. Even Odoacer’s ferocious successor Theoderic, a man who could sign his own name only with the help of a stencil cut from a plate of gold, accepted and exploited the fiction of empire. Theoderic adopted Roman dress, and his coinage carried the image of the Emperor. The Gothic kings based themselves on the Adriatic coast, in the old capital of the Western empire at Ravenna, and the glamour of Rome persisted. As Theoderic himself declared, ‘Any Goth who can, wants to be a Roman: no Roman wants to be a Goth.’
However, I must give myself credit for a little sense on one occasion, at least. And it was a serious occasion, too-a crisis in my life-a crisis when I stood watching my dreams and my plans for the future and the work of years vanish into thin air. It happened like this. In my early thirties, I had decided to spend my life writing novels. I was
Sayfa 93 - e-bookKitabı okudu
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