Türkiye’nin İstiklal Marşı, Mehmet Akif Ersoy tarafından yazılmıştır.
İSTİKLÂL MARŞI
Korkma, sönmez bu şafaklarda yüzen al sancak;
Sönmeden yurdumun üstünde tüten en son ocak.
O benim milletimin yıldızıdır, parlayacak;
O benimdir, o benim milletimindir ancak.
Çatma, kurban olayım çehreni ey nazlı hilâl!
Kahraman ırkıma bir gül! Ne bu şiddet bu celâl?
Sana olmaz dökülen kanlarımız sonra helâl...
Hakkıdır, Hakk’a tapan, milletimin istiklâl!
Ben ezelden beridir hür yaşadım, hür yaşarım.
Hangi çılgın bana zincir vuracakmış? Şaşarım!
Kükremiş sel gibiyim; bendimi çiğner, aşarım;
Yırtarım dağları, enginlere sığmam, taşarım.
Garb’ın âfâkını sarmışsa çelik zırhlı duvar;
Benim iman dolu göğsüm gibi serhaddim var.
Ulusun, korkma! Nasıl böyle bir îmânı boğar,
“Medeniyet!” dediğin tek dişi kalmış canavar?
Arkadaş! Yurduma alçakları uğratma sakın;
Siper et gövdeni, dursun bu hayâsızca akın.
Doğacaktır sana va’dettiği günler Hakk’ın...
Kim bilir, belki yarın, belki yarından da yakın.
Bastığın yerleri “toprak!” diyerek geçme, tanı!
Puan vermedi
Ahmet Mithat Efendi; He is an enlightened writer with a strong oratory who dominates all fields such as journalist, story and novel writer, philosopher of history and contributes to the enlightenment of the society he is in, transferring his knowledge and experience to all segments of society. He wrote about the renewal movement that started with the Tanzimat in his works and he became a guide by writing his writings for information purposes. He read a lot of French books, gained knowledge about literary movements and transferred them to his works with his own interpretation. Ahmet Mithat Efendi is the leading name in the works of the Tanzimat Period. He conveyed his existing experiences both in his novels and his works such as Müşahedat, Taffüf, Mesail-i Muğlaka, Ahmet Mithat Efendi, Edebiyat Yazıları 1 and 2, he became one of the most enlightened writers of Turkish novelism, and he deserved to be known as a novelist because he was mostly engaged in novels among prose genres. Ahmet Mithat Müşahedat criticized Emile Zola in his introduction titled 'Hasbihâl with Kâriîn' in his work titled Müşahedat and described the situation of Emile Zola, who wrote with a naturalist perspective of French society, from a critical point of view. Mithat Efendi wrote almost all his works to guide and educate people. And for this reason, according to him, transferring the events existing in the society as they are, instead of educating people, he was worried about leading them down the wrong path and therefore he opposed the Turkish society to read Emile Zola.
Ahmet Mithat is a socialist and devoted writer. His aim to educate the public has led him to address the problems of the people. In this respect, he is in a way the sociologist of his period. Naturalism is established through the
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MUNAFIKLARI BELAMLARI İŞBİRLİKÇİLERİ KUDURTAN KİTAPEdebiyat
''İlmî ve fikrî çalışmalarını önceleri daha çok Kur’an’ın edebî i‘câzı üzerinde yoğunlaştıran Seyyid Kutub, daha sonra Kur’ân-ı Kerîm’den ilham alarak hazırladığı makalelerini “Fî Ẓılâli’l-Ḳurʾân” başlığı altında el-Müslimûn dergisinde yayımlamaya başlamış, derginin 3. sayısından (Şubat 1952) 9. sayısına kadar (Temmuz 1952) yedi makale neşretmiştir. Böylece yeni bir tefsirin adı da Fî Ẓılâli’l-Ḳurʾân şeklinde kendiliğinden ortaya çıkmıştır (Salâh Abdülfettâh el-Hâlidî, Medḫal ilâ Ẓılâli’l-Ḳurʾân, s. 40-41).
Başlangıçta teknik anlamda bir tefsir yazmaktan çok Kur’an’ın ışığı altında günlük olayları ve yaygın görüşleri değerlendirmeyi amaçlayan Seyyid Kutub, bu konudaki makalelerinin ilgi görmesi üzerine aynı anlayış ve metotla Kur’ân-ı Kerîm’in her cüzünü bir cilt halinde tefsir etmeyi ve iki ayda bir cüz yayımlamayı kararlaştırmış, bu husus el-Müslimûn dergisinde okuyuculara duyurulmuştur (y. 1, sy. 9, s. 15, Temmuz 1952). Ekim 1952’de neşredilen ilk cüz, daha önce dergide çıkan yedi makale ile hemen hemen aynı mahiyettedir. Ocak 1954’e kadar tefsirin on altı cüzü neşredildi; ancak Seyyid Kutub 1954 yılında birçok İhvân-ı Müslimîn mensubuyla birlikte tutuklandı. Bununla birlikte müellif hapishanede tefsirini yazmaya devam etti. Bu sırada eserin 17 ve 18. cüzlerinin yayımı da tamamlandı. Üç ay süren tutukluluk halinden sonra serbest bırakılan, fakat arkasından tekrar tutuklanıp bu defa on beş yıl hapse mahkûm edilen Seyyid Kutub bütün zorluklara rağmen eserini tamamlamaya çalıştı ve 27. cüze kadar yayımlama imkânını buldu. Bu arada müellif fikrî gelişimine paralel olarak eserinin son dört cüzünü yeni bir metotla yazdı. Böylece eser, son cüzünün muhtemelen 1960’a doğru yayımlanmasıyla tamamlanmış oldu. Seyyid Kutub çok geçmeden, gelişen düşünce sistemi doğrultusunda ve
We Should All Be Feminists - Kitap Yorumuİnceleme
"We teach girls to shrink themselves, to make themselves smaller. We say to girls: You can have ambition, but not too much. You should aim to be successful but not too successful, otherwise you will threaten the man."
Feminizm kavramı keşfedildiğinden beri hep gündemde olmuş ve insanlığın sorunlarından biri hâline gelmiştir. Günümüzde kimi kesim için tehdit oluşturan bu kavram üzerine hâlâ tartışmalar sürmektedir. Gerçekten ne anlama geldiği, neyi anlatmak istediği, temel sorununun ne olduğu yıllardır farklı cevaplar almaya devam etmektedir. Feminizm ne demek, neyi temsil ediyor? Bu cevapları bir de Chimamanda'dan dinleyelim.
Chimamanda Ngozi Adichie, Nijerya'da dünyaya gelmiş ve orada büyüyüp yetişmiştir. Eğitimine ABD'de devam eden Chimamanda, çeşitli eserler kaleme alan bir edebiyatçı ve feminist bir aktivist olarak tanınmaktadır. TedX üzerinde yaptığı "We Should All Be Feminists" kitabı da bu eserin yayınlanmasına katkı sağlamıştır. Bu kitap ayrıca kurgulanmış ya da kaleme alınmış bir eser değil, 30 dakikalık TedX konuşmasının kelimelere dökülerek kitap hâline getirilmesidir. TedX konuşmasını izlediyseniz orada anlatılanların bu kitaba aktarıldığını görebilirsiniz.
Bu kitabın GoodReads önerilerinde karşıma çıktığında bu kadar kısa olduğunu bilmiyordum. Hâlihazırda 30 dakikalık bir konuşmanın kitaba aktarıldığını öğrenince uygun bir vakitte hemen başlayıp bitirdim. Konuşmanın süresi gibi okumanın da 30 dakika aldığını söyleyebilirim. Anlatılmak istenilenler dolandırılmadan, süslü kelimelerle zorlaştırılmadan çok güzel bir şekilde ifade edilmişti. Bu da kolay okunmasını sağlıyor.
Kısa sürede okuyup iyi verim alabildiğim güzel bir eserdi. Yazarın bakış açısı çok hoşuma gitti. Feminizmin sadece kadınlık değil insanlık meselesi olduğunu anlatmaya çalışması,
Tragedy of Betrayal
Ian McEwan wrote 
Fındık Kabuğu and inspired by #k:1651. The plot begins with an unborn child that the author does not share the gender or name, and it progress by it's surroundings. It is basically a betrayal story. Our carrier, mom, is Trudy Cairncross, Claude as uncle and father John Cairncross. In the beginning of the it is clearly stated that mother has an affair with Claude. They are having sex and planning something. The narrator tries to estimate their plan by listening their conversation in it's mother's womb. Since, sometimes there are different factors around surroundings it is not possible. In first chapters it is clear to see that Trudy is the oppressive character over Claude and John. Just because she is still married with John, Claude does everything that Trudy wants. Also, John, who is a poet, has a emotional character. That is why, he does not want to give up on his love and tries his chance. Our narrator mentions about some of the memories of it's parents. One day John reads poem for Trudy which she hates, but John has intese feelings and every letter of the poem has a meaning for him. This indicates that John still loves his wife yet her doesn't carry the same feelings against her. She always lies to him to stay with his brother Claude. Unlike his brother Claude is someone callous. He doesn't such abilty to write poem. In a chapter John tries his chance to be forgiven by her and stay with his wife like old days but eventually he is rejected one more time. The reason is his brother, Claude, is someone manipulaitve and addicted to sex. After the last rejection everything changes, Claude and Trudy makes sneaky plan to kill John, because he tells them to find another place to live. He dedicated to move into his own house and he comes to the place with differentPostmodern
Ian McEwan wrote Fındık Kabuğu and inspired by #k:1651. The plot begins with an unborn child that the author does not share the gender or name, and it progress by it's surroundings. It is basically a betrayal story. Our carrier, mom, is Trudy Cairncross, Claude as uncle and father John Cairncross. In the beginning of the it is clearly stated that mother has an affair with Claude. They are having sex and planning something. The narrator tries to estimate their plan by listening their conversation in it's mother's womb. Since, sometimes there are different factors around surroundings it is not possible. In first chapters it is clear to see that Trudy is the oppressive character over Claude and John. Just because she is still married with John, Claude does everything that Trudy wants. Also, John, who is a poet, has a emotional character. That is why, he does not want to give up on his love and tries his chance. Our narrator mentions about some of the memories of it's parents. One day John reads poem for Trudy which she hates, but John has intese feelings and every letter of the poem has a meaning for him. This indicates that John still loves his wife yet her doesn't carry the same feelings against her. She always lies to him to stay with his brother Claude. Unlike his brother Claude is someone callous. He doesn't such abilty to write poem. In a chapter John tries his chance to be forgiven by her and stay with his wife like old days but eventually he is rejected one more time. The reason is his brother, Claude, is someone manipulaitve and addicted to sex. After the last rejection everything changes, Claude and Trudy makes sneaky plan to kill John, because he tells them to find another place to live. He dedicated to move into his own house and he comes to the place with differentBefore You Judge me, make sure You are Perfect!Psikoloji
Imagine a world where a patient goes to a clinic and gets prescribed highly addictive opioids because it is the end of the doctor’s long day – or that different sentences are given to people who committed the same crimes because one judge hasn’t had lunch yet.
These are some of the many real-world examples of “noise” that are mentioned in Noise: A Flaw in Human Judgment by renowned psychologist and winner of the 2002 Nobel Prize in Economic Sciences Daniel Kahneman. Noise is the follow-up to his previous book Thinking, Fast and Slow, released in 2011, which brought attention to his work on how cognitive biases shape judgment. In Noise, Kahneman and his co-authors, Oliver Sibony and Cass R. Sunstein, explore the other type of error impacting our judgments: noise.
The book follows the premise that “wherever there is judgment, there is noise – and more of it than you think”. If noise is so prevalent, why is it not widely spoken about? Kahneman notes that noise can only be identified in statistics, making it more difficult to track, which means it tends to go unnoticed and unmentioned.
Noise is broken up into six parts. It begins with the difference between noise (random scatter) and bias (systematic deviations), the nature of human judgment and how to measure accuracy and error. It also goes into predictive judgment, human psychology and the causes of noise, how to improve judgments and prevent error, and what is the right level of noise.
Who knew that important decisions could be swayed by seemingly redundant factors? Such as who spoke first in the meeting, what day of the week it is or whether the local football team won last night’s match. Many different types of noise are discussed in the book, but the most significant one, Kahneman says, is system noise. System
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